SKU: 85707717693
josephine baker gold dress

josephine baker gold dress Baker, Josephine. (1906–1975)] Banana Belt and Headdress, worn at the – Schubertiade Music and Arts

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Description

josephine baker gold dress Baker, Josephine. (1906–1975)] Banana Belt and Headdress, worn at the – Schubertiade Music and ArtsTwo iconic items from the celebrated entertainer, including one of her famous banana belts, this example circa 1930 1950 with gold sequins on the side, apparently worn by her at the Casino de Paris. Former ORTF, SFP Collection. The belt is in heavily worn but stable condition. Ten banana forms are attached, presumably of a larger original number, to a yellow fabric strip. Remnants of sequin detailing remain though most have perished. The filled gold

Two iconic items from the celebrated entertainer, including one of her famous banana belts, this example circa 1930-1950 with gold sequins on the side, apparently worn by her at the Casino de Paris. Former ORTF, SFP Collection.

The belt is in heavily worn but stable condition. Ten banana forms are attached, presumably of a larger original number, to a yellow fabric strip. Remnants of sequin detailing remain though most have perished. The filled gold fabric forms are mostly in stable condition with some creases and small tears and loose threads around the seams.  10 x 14 x 1 inches. Provenance: Former ORTF, SFP Collection. Truly, one of the most iconic items in performance history. 

Sold together with an extraordinary fruit turban headdress with rhinestones and pearls, also from the collection of Josephine Baker.  Inscribed to label with inventory number and the ORTF insignia, "Achat Granier - Joséphine Baker, 30163 OJ83." The painted fruits with significant chipping and some losses, some elements partially loose but stable overall. 27 x 22 x 15 inches. Provenance: Former ORTF, SFP Collection.  One of the extraordinarily elaborate feather and fruit headpieces which were part of the performer's signature costumes. 

Baker was most noted as a singer, while in her early career she was a celebrated dancer. She was given the nicknames the "Black Venus" or the "Black Pearl", as well as the "Créole Goddess" in anglophone nations, while in France she has always been known in the old theatrical tradition as "La Baker." Around 1930, she "began a long and successful collaboration with the Casino de Paris. The Casino was not as famous as the Folies Bergère, but it was still a first-class music hall. Its seasonal productions were extremely lavish, and in no time, Baker re-established herself as the leading star of the Parisian stage." (Alan Schroeder, "Josephine Baker: Entertainer," p. 48)

The Office de radiodiffusion-télévision française (ORTF; lit. 'French Broadcasting and Television Office'), was the national agency charged, between 1964 and 1975, with providing public radio and television in France. When ORTF was divided into 7 smaller organizations, the SFP (Société Française de Production) took control of some of the archives. 

"The image of a dancing Josephine Baker, clad in pasties and a skirt made from replica bananas, is something of a cultural icon. However, today, the skirt’s meaning is very different than when Baker first wore it in 1926. Baker donned the revealing–and according to certain early 1900s moralists, ‘degrading’–skirt when she was still making a name for herself on the international stage. Her performances in the skirt soon gained her fame and fortune that she then used to fight Nazis in France and structural racism in America. As a performer, Baker used her sexuality and hyper awareness of image to manipulate her audience’s sexist and racist fantasies, and deployed them to build a platform for herself to dismantle the very social systems and cultural beliefs that they stemmed from.

Baker’s La Danse Sauvage quickly made her the star of La Revue Nègre. She appeared almost naked, clad mostly in feathers, swinging her hips as her equally exposed partner Joe Alex beat a drum. With rhythmic thrusts and sensual sways, Baker’s movements embodied the sexual language anthropologists projected onto nonwhite bodies. Her audience loved it. “In the short pas de deux of the savages, which came as the finale of the Revue Nègre, there was a wild splendor and magnificent animality,” performance attendee and dance critic André Levinson said. “The plastic sense of a race of sculptors came to life and the frenzy of African Eros swept over the audience. It was no longer a grotesque dancing girl that stood before them, but the black Venus that haunted Baudelaire.”

Only a year later, the dancer donned her famous banana skirt for Folies-Bergére’s civility/primitivism-themed La Folie du Jour. Sixteen rubber bananas hung from a low-slung belt around the dancer’s waist. Along with matching pearl necklaces and jewels, the iconic costume brilliantly appeased and critiqued her audience’s most lurid fantasies. The skirt’s phallic appendages evoked France’s colonial involvement in both the rubber and banana trades. It seemed to present Baker as a colonial sex object, but in doing so highlighted the exploitative nature of the economic and political orders that made her one. Plus, the allegory-loaded skirt’s silhouette subverted ballet’s proper tutu.

Baker was not the only performer on the nightclub circuit to perform African-inspired dances or wear revealing clothing, but she possessed a unique understanding of the racial and power dynamics underlying Paris’ obsession with jazz. She was “a creature neither infrahuman nor superhuman but somehow both,” American poet E.E. Cummings wrote. “A mysterious unkillable Something, equally nonprimitive and uncivilized, or beyond time in the sense that emotion is beyond arithmetic.” Baker embodied an ever-changing character that audience members like Cummings hoped to simultaneously dominate, tame, and embody. " (Courtney DeLong, CR Fashion Book, "Remembering Josephine Baker's Cultural Impact, Banana Skirt, and Beyond")

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Derek Mancuso
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★★★★★ 4
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Reviewed in the United States on April 27, 2025
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Tomas
Charlottesville, US
★★★★★ 5
great for my bad hands, hygenic, easy to use.
Color: 2-Speed Rechargeable Set with Charging Base
so far so good. I cook a couple times a day. I also have bad RA in my joints. this product has really helped already. from the clean size adjustment to the ease of charging. Like i have owned it for years is how easy this product has entered my kitchen routine. strong product and hygenic because you adjust the grind from twisting the body, not messing inside the grinder.
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lisa holidays
Carnegie, US
★★★★★ 5
Easy use and easy charge.
Color: 2-Speed Rechargeable Set with Charging Base
This is so easy to use and easy to charge. The set has made life so much easier.
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Reviewed in the United States on May 24, 2026
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Just saying
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★★★★★ 5
Great product
Color: 2-Speed Rechargeable Set with Charging Base
Great product
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Reviewed in the United States on June 1, 2026
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Able
Dallas, US
★★★★★ 1
Good looker but terrible performance
Color: 2-Speed Rechargeable Set with Charging Base
I purchased the product and the base would not attach from the charging module. This is their big selling point. I requested a replacement and sadly the replacement was of the same batch run as the original soo…. Yeah that base would not detach. There are videos showing how easy it is to detach base from charging module. Not theses units. Circle Joy customer service is an @gmail.com. They said base is not designed to be removed frequently. I reminded them the separation feature is their highlighted feature. I was just looking for a base. Circle Joy said no…. If I do not like either unit just return them to Amazon.???? In the meantime, after maybe a dozen grinds, the original unit quit grinding normally and would barely grind at all. I shook it out and it worked again but doesn’t sound right. Two takeaways: 1) Poor product quality. 2) I am sooo done with trying to work with Amazon on replacement items. Save yourself a tone of aggravation and just return the order and reorder if you dare. Otherwise good looking and heavy feel and works great about 10 times. Too bad so sad. Now I have this huge return hassle with Amazon.
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