SKU: 92214290080
philodendron california

philodendron california Philodendron Gloriosum Heart-shaped Leaves, Easy Care Indoor Plants

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philodendron california Philodendron Gloriosum Heart-shaped Leaves, Easy Care Indoor PlantsDescription Light Soil Water Hardiness Philodendron gloriosum is a tropical plant known for its large, heart shaped, velvety green leaves with striking white veins. Native to the rainforests of Colombia, this species grows as a creeping terrestrial plant, spreading horizontally along the soil rather than climbing like many other philodendrons. As the plant matures, its leaves increase in size and display stronger contrast between the veins and the

  • Philodendron gloriosum is a tropical plant known for its large, heart-shaped, velvety green leaves with striking white veins. Native to the rainforests of Colombia, this species grows as a creeping terrestrial plant, spreading horizontally along the soil rather than climbing like many other philodendrons.

    As the plant matures, its leaves increase in size and display stronger contrast between the veins and the leaf surface. New growth often emerges with a rosy tint that gradually fades into deep green as the leaves expand and firm up. The foliage, soft to the touch and boldly veined, has a rich, artistic quality that sets this plant apart and makes it especially prized among rare plant collectors.

    Unlike vining Philodendrons that require support to grow upward, Philodendron gloriosum spreads from a thick, above-ground rhizome that creeps across the surface of the soil. This makes it ideal for shallow, wide containers, allowing room for the rhizome to stretch and new leaves to develop along its path. With proper care, mature leaves can reach 12–18 inches long, becoming dramatic focal points in any indoor space.

    As a member of the Araceae family, this plant is related to other popular philodendrons but distinguished by its crawling habit and matte, velvety texture. It is often compared to species like Philodendron Micans or Melanochrysum, but its low, horizontal growth pattern and thick, textured foliage give it a more sculptural, grounded presence. It’s not a climber but a slow-spreading, leaf-forward specimen that adds elegance and calm structure to any plant collection.
  • Prefers bright, indirect light to maintain healthy growth and strong leaf color. Avoid direct sunlight, which can burn the soft, velvety leaves.

    Water when the top 2–3 inches of soil feel dry. Keep the soil evenly moist but not soggy, as overwatering can lead to root and rhizome rot.

    Thrives in moderate to high humidity, ideally above 50%. If your indoor air is dry, consider a humidifier or placing the plant on a pebble tray.

    Use a well-draining, airy mix, such as a blend of potting soil with orchid bark, peat or coco coir, and perlite. This helps support root health and proper moisture retention. Feed once a month during spring and summer with a balanced liquid fertilizer diluted to half strength. Skip feeding during the plant’s slower-growing fall and winter months.

    Grows best in 65–80°F temperatures. Avoid cold drafts and keep it away from areas that drop below 55°F.

    Like many aroids, Philodendron gloriosum is toxic to pets and humans if ingested. Keep out of reach of children and animals.


  • USDA Zone 10-12

    USDA Zone 9b: to -3.8 °C (25 °F)

    USDA Zone 10a: to -1.1 °C (30 °F)

    USDA Zone 10b: to 1.7 °C (35 °F)

    USDA Zone 11: above 4.5 °C (40 °F)


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SKU: 92214290080

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David R. Papke
Whiting, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Louisville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
San Leandro, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Louisville, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
West Palm Beach, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017

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