SKU: 90005986790
sensation plant vs peace lily

sensation plant vs peace lily Buy Peace Lilly (Spathiphyllum Sensation) 80 - 100 cm

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Description

sensation plant vs peace lily Buy Peace Lilly (Spathiphyllum Sensation) 80 - 100 cmThe 'Sensation' is the largest Peace Lily cultivar in the world massive, deeply ribbed dark green leaves that can reach over 40 cm long, paired with the Peace Lily's iconic white spathes. At 80100 cm, this is a commanding floor plant that fills a room with lush, tropical presence no other Peace Lily can match. Key Features The largest Spathiphyllum cultivar available significantly bigger leaves and bolder presence than standard Peace Lilies Floor

The 'Sensation' is the largest Peace Lily cultivar in the world — massive, deeply ribbed dark green leaves that can reach over 40 cm long, paired with the Peace Lily's iconic white spathes. At 80–100 cm, this is a commanding floor plant that fills a room with lush, tropical presence no other Peace Lily can match.

Key Features

  • The largest Spathiphyllum cultivar available — significantly bigger leaves and bolder presence than standard Peace Lilies
  • Floor-standing specimen at 80–100 cm with dramatic, deeply ribbed foliage
  • Produces the classic white spathe flowers that Peace Lilies are known for
  • Exceptional air-purifying ability, filtering common indoor pollutants
  • Available in multiple pot colour and shape combinations to suit your interior

Why It Works in Dubai

Peace Lilies are among the most shade-tolerant flowering indoor plants, and the 'Sensation' is no exception. It thrives in the lower-light conditions common to Dubai apartments and offices, handles air conditioning well, and will even flower in rooms with no direct sunlight. Its large leaf surface also helps humidify dry indoor air — a genuine benefit in the UAE's arid climate.

Care Snapshot

Light: Low to bright indirect light; flowers more in brighter spots but tolerates shade
Water: Keep soil consistently moist; water when the top 2–3 cm feels dry. Leaves will droop as a clear signal when thirsty
Humidity: Moderate to high humidity preferred; mist regularly in air-conditioned rooms

What You'll Receive

One Peace Lily 'Sensation' (Spathiphyllum 'Sensation'), 80–100 cm, with large, established foliage. Pot colour and shape as per your selected variant. Delivered in the selected decorative pot or a standard nursery pot depending on configuration.

Contains calcium oxalate crystals — toxic to cats and dogs. May cause oral irritation, drooling, and difficulty swallowing if ingested. Decorative pot shown in images is for display purposes and may not be included. Actual plant may vary slightly from the image.

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SKU: 90005986790

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4.4 ★★★★★
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David R. Papke
Boise, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Birmingham, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Houston, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Houston, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Bozeman, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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