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Description
dracaena fragrans rikki Buy Dracaena Fragrance (Janet craig) 1.0 - 1.2 mThe Dracaena Rikki is a standout among indoor floor plants. Its arching, banana shaped leaves with bold lime green and yellow central stripes create a bright, tropical focal point perfect for filling empty corners, framing doorways, or anchoring a living room plant display in your Dubai home. Key Features Vibrant variegation glossy green leaves with a striking lime yellow central stripe that catches the eye Floor plant stature at 1. 01. 2 m tall, it
The Dracaena Rikki is a standout among indoor floor plants. Its arching, banana-shaped leaves with bold lime-green and yellow central stripes create a bright, tropical focal point — perfect for filling empty corners, framing doorways, or anchoring a living room plant display in your Dubai home.
Key Features
- Vibrant variegation — glossy green leaves with a striking lime-yellow central stripe that catches the eye
- Floor-plant stature — at 1.0–1.2 m tall, it commands presence without overwhelming a room
- Arching, graceful form — leaves curve outward elegantly, adding movement and softness to structured interiors
- Hardy and adaptable — tolerates a range of indoor light levels from low to bright indirect
- Low-maintenance — infrequent watering needs and strong drought tolerance
Why It Works in Dubai
Like all Dracaena fragrans varieties, the Rikki is built for indoor life in warm climates. It handles the constant air conditioning common in Dubai homes without losing its colour, and its tolerance of lower light levels means it performs well even in rooms without large windows. A practical, attractive floor plant for UAE residents.
Care Snapshot
| Light | Medium to bright indirect light for best variegation; tolerates low light |
| Water | Allow top half of soil to dry between waterings; reduce in winter |
| Humidity | Low to average; handles dry indoor air |
| Temperature | 18–28 °C — avoid cold draughts and AC vents |
| Skill Level | Beginner |
What You’ll Receive
One healthy Dracaena Rikki floor plant, 1.0–1.2 m in height, supplied in a nursery grow pot ready for your choice of decorative floor planter.
Disclaimer
Colours and textures may vary slightly from images. Each plant is unique — expect minor natural variation in size, shape, and leaf pattern. Pots shown in images are for display purposes only and are not included unless stated. Delivery is kerbside; please arrange assistance for heavier items.
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4.1 ★★★★★
Based on 21 reviews
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Product Reviews
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
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Reviewed in the United States on March 16, 2023