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Description
stokke cot sale Stokke Home Crib Hazy GreySTOKKE Home Multi Size Bed A crib, a changing station and a playhouse in one. The Crib is the heart of the Stokke Home nursery. Together with Cradle, Changer and Dresser, it offers countless possibilities for designing the perfect room for your newborn. A home within a home especially for your baby. The clean lines of the Crib, together with its distinct house shape turn this Crib into the centerpiece of the nursery. We offer a range of textiles
STOKKE Home Multi-Size Bed
A crib, a changing station and a playhouse in one.
The Crib is the heart of the Stokke Home nursery. Together with Cradle, Changer and Dresser, it offers countless possibilities for designing the perfect room for your newborn. A home within a home - especially for your baby. The clean lines of the Crib, together with its distinct house shape turn this Crib into the centerpiece of the nursery. We offer a range of textiles designed to create a protective and calm ambiance for your baby, or a playhouse for your child. Not only is the concept ideal for your newborn as well as your growing child but it is also flexible enough to be customized no matter the size of your nursery. Once it is safe for the baby to climb in and out of the Crib, you can remove one side panel for easy access. When your child outgrows the Crib around the age of 5, you can continue using it as a sofa and playhouse.
Features:
- Suitable from birth to about 5 years.
- Height adjustable mattress bottom makes lifting your child in and out easier.
- Removable side panel for easy access.
- The house shape allows for individualization.
- Rods in the side panels and slots in the mattress base provide maximum air circulation.
- Made from durable solid beech wood and formaldehyde reduced MDF.
- Mattress sold separately with pressure resistant, hypoallergenic PU foam and removable cover.
What's included:
- Stokke Home Crib (mattress sold separately)
Product dimension (length x height x width): 54x64.5x29.5
Product weight: 77lbs
Shipping Dimensions:
Box 1
54 x 31 x 4 - 38lbs.
Box 2
53 x 31 x 4 - 40lbs.
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- Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
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4.5 ★★★★★
Based on 8 reviews
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Product Reviews
★★★★★ 5
Fun Times
Format: Kindle
Best Collection from my youth. Although I was not born until 1957, my dad's first cousin was an avid DC Comics collector, and these 1950s stories were the bulk of my experience of Superman during my 1960s childhood. Contrast the fight against fellow survivors of Krypton in this volume with that in Man of Steel. Here are the primary colors, can-do spirit, and ultimately optimistic view of science and the future so fondly remembered by older fans. In the end, there is probably no reconciling the angry countercultural gloom and discontent of modern comics with these gems of the past, but if as I you are sick to death of the politically correct socialism, these are a much needed breath of fresh air.
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Reviewed in the United States on May 30, 2021
★★★★★ 5
Superman stories from the fifties
Format: Paperback
A collection of Superman stories, I haven’t seen in decades. Wonderful.
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Reviewed in the United States on August 16, 2021
★★★★★ 5
Excellent superman action
Format: Paperback
Good stuff from end of the golden.age to silver age
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Reviewed in the United States on November 5, 2021
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld.
It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale.
Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own.
Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of.
In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy.
Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
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Reviewed in the United States on December 23, 2025