SKU: 70012962385
best alto sax mouthpiece for altissimo

best alto sax mouthpiece for altissimo LAKSHMI Alto Saxophone Mouthpiece – Theo Wanne Mouthpieces

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Description

best alto sax mouthpiece for altissimo LAKSHMI Alto Saxophone Mouthpiece – Theo Wanne MouthpiecesThe LAKSHMI is the evolution of the traditional vintage alto sound! The LAKSHMI alto offers a traditional alto sound that is both sweet and expressive, achieving the perfect balance without being too bright or too dark. It is an evolution of the classic Meyer type alto sound, enhanced by our innovative Large Stadium Chamber for added depth and core. I have been on a journey for several years to find a mouthpiece that would cover the full spectrum of

The LAKSHMI is the evolution of the traditional vintage alto sound!

The LAKSHMI alto offers a traditional alto sound that is both sweet and expressive, achieving the perfect balance without being too bright or too dark. It is an evolution of the classic Meyer-type alto sound, enhanced by our innovative Large-Stadium-Chamber™ for added depth and core.

“I have been on a journey for several years to find a mouthpiece that would cover the “full spectrum” of the music and styles I love and play. The Lakshmi has finally achieved that goal. It’s a really amazing mouthpiece! I used to use a vintage mouthpiece that came from Dexter’s widow. The LAKSHMI is far superior! Theo is the only one qualified to carry on the legacy of the great vintage mouthpiece manufacturers.” – Glenn Zottola (Chick Corea, Benny Goodman, Frank Sinatra, Ella Fitzgerald, Mel Tormé, Louis Armstrong)

It uses a unique and proprietary Elongated-Roll-Over-Baffle™, as well as Theo’s new Large-Stadium Chamber™.  The LAKSHMI Alto lends itself well to straight-ahead Jazz, but is equally at home in big bands or in any style of playing, as it has very good projection. It comes in two materials, 24k Reticulated gold, and premium, vintage-style Hard Rubber

Take a close look at our baffles, rails, and chambers, you will see they are manufactured with a quality and accuracy higher than any other mouthpiece ever made, vintage or new!

SOUND

  • Successfully designed to outplay Theo’s very best Vintage Meyers!
  • Inspired by the genius of Paul Desmond, Phil Woods, and Cannonball Adderley.
  • Full, rich, and fat traditional sound with a big projection yet also a sweet sound.

DESIGN

  • Includes our newly designed Elongated-Roll-Over-Baffle™ and our new Large-Stadium-Chamber™
  • Rounded inner side walls all the way to the tip.
  • Crafted to the highest accuracy in the history of saxophone mouthpieces.
  • Designed by Theo Wanne, the foremost expert on the design and manufacturing of vintage and new mouthpieces.
DESIGN & INNOVATION

The LAKSHMI Alto has a unique and proprietary Elongated-Roll-Over-Baffle™, as well as Theo’s new Large-Stadium Chamber™.    

The Large-Stadium-Chamber™ is a technologically advanced version of a traditional large chamber, combining True-Large Chamber sections with Medium Chamber sections for a focus and core that is incredible while maintaining the full, rich sound of a Vintage True-Large-Chamber.  The ‘Stadium-Chamber’ name comes from its shape, which approximates the shape of a sports stadium. The LAKSHMI projects very well, but never sounds harsh or thin, just a big, dark and sweet sound.

REVIEWS & TESTIMONIAL

“I have been on a journey for years to find a mouthpiece that would cover the “full spectrum” of the music and style’s I love and play. The Lakshmi has finally achieved that goal.  It’s a really amazing mouthpiece !!!   I used to use a vintage Otto Link that came from Dexter’s widow. The LAKSHMI is far superior !!!    Theo is the only one qualified to carry on the legacy of the great vintage mouthpiece manufacturers like Meyer, Brilhart and Otto Link. The other guys aren’t even close; comparatively they don’t know anything. Many thanks to Theo Wanne for his Artistry and dedication and Bryan Vance for his service above and beyond in that quest. I would also like to share, that the sound of the LAKSHMI mouthpiece brings me back to what I heard growing up in my parents jazz club in the 1960s (my jazz college education). I was 13 years old and played every week with jazz legends. Louis Armstrong was my first mentor, my dad was friends with him. This picture has Bobby Timmons on piano and that is Booker Ervin to my right.” –Glenn Zottola (Chick Corea, Benny Goodman, Frank Sinatra, Ella Fitzgerald, Mel Tormé)

“The LAKSHMI is Theo’s best instantiation in a long line of masterpieces. It is a fantastic, versatile and full bodied mouthpiece. I’m not usually a dark mouthpiece guy but I really like this! You can be Ben Webster or Michael Brecker. It does it all! Definitely fuller sounding than a Link. Altissimo notes are much easier and it is much easier blowing too. Great job on this one Theo! I love it 😻.” – Michael J. Parlett (Talented Productions, Solar Radio Host)

“The LAKSHMI felt so immediately comfortable on both my horns.  I felt free to go for anything.  It was probably the most clear I’ve ever felt playing in the upper register too.” – Chelsea Baratz (Rising star in the NY Jazz Scene.  Played with Aretha Franklin, John Legend, Talib Kweli, Om’mas Keith, Murs, Locksmith, Ski Beatz, etc)

“This is a very cool mouthpiece!  It’s similar to my vintage link, but has more projection. More focused, but still lots of character. I really dig this mouthpiece!” – Steve Kaldestad (Coordinator of Jazz Studies – Capilano University)

“LOVE IT!!!! It’s EXACTLY what I’ve been looking for… you nailed it.  I never thought I’d find anything better than my vintage metal Florida link but Theo has done it again and created a masterpiece that surpasses all my expectations. It’s a really special piece, man. Lots of magic in there! This is my number 1 favorite mouthpiece. I’ve been looking for a long time, and now I’m done looking! It is a liberating mouthpiece to play! It is like an old soul but with modern sensibilities. The intonation is laser beam accurate, the response is incredibly fast and the range of sound is nothing short of astounding. It has that indescribable magic and mojo… whatever you want to call it. Soul. Thanks, Theo!!!  Ian Hendrickson Smith (The Roots-Tonight Show with Jimmy Fallon, Lady Gaga, Bob Dylan, U2, Amy Winehouse, and Ed Sheeran)

“The Lakshmi is f#$%^ awesome! 😎”  Keith McKelley (Earth Wind & Fire, Usher, David Mason)

“Guys, just got a Lakshmi, and I’m simply mind blown. Oh boy, this piece can really play… Was initially surprised to see how many people said it’s the best mouthpiece they have ever owned but 110% same for me. Lakshmi is just incredibly flexible: insane number of ways the sound can go from very soft to R&B, beautiful potential of tonal colours to it !! I thought it was a very pretty blowing yet not without resistance with my reed (6* – ZZ 2.5-3.0). All notes from the lowest to highest come out super clean without difficulty. Honestly everything I could expect from a mouthpiece as an intermediate player, makes me wanna play non-stop. And it just looks so damn beautiful 🙂 GOOD JOB THEO & TEAM !! This is my 2nd Wanne piece, I first got the Water for my Alto which is also my favorite alto piece. And I must say it’s also the best value piece I have ever owned. Keep making these amazing things !!! Thanks again!” – Can Turkmenoglu

“Wow Theo! I just got into that 7* Lakshmi. I feel like I’m in the center of a sphere with that piece with unlimited choices of direction, not only tonally but dyamically as well. It matches up to my Chu really well. Its very easy to play at low volumes and equally easy to kick it up a several notches. You know I get the chance to try lots of pieces and while many do the job just fine this has more the feel of an extension of myself. This is the kind of piece that once I know it a little better I won’t even know its there and I mean that as the highest praise. Thank you!”  Jim Warshauer (jwsax.com)


“The Lakshmi pieces we bought are absolutely wonderful! We’ve been through several of the well know brands and also some of the boutique mouthpiece makers and we were always lacking something. The Lakshmi does everything we want and it can take all the air you can blow and it doesn’t diminish in response. Another very cool thing is that if it get stolen or damaged, you can get another one that is reliably the same! Try that with custom made mouthpieces! Thank you, Theo!” – Mark and Jessica Music

“I really love your new Lakshmi mouthpiece! It plays super-even throughout the range of the horn. It has the perfect resistance, ease of execution and tone that I have been looking for! Thank You!!” – Frank Southecorvo

“Like most Sax players, I have owned a number of mouthpieces. Now at last my many years of searching for the ‘right one’ would seem to be over. It is the easiest piece I have ever played, with breath control being so efficient in gaining any level of projection I require. It always surprises me with the complexity of sounds I can produce from deep mellow to rounded high pitch. I am excited to pick up my Sax to practice, as I know I will continue to discover and experience something new in my soundscape everyday. Congratulations Theo Wanne – a winner!” – David Hawkins

“From the first time I played my new Lakshmi mouthpiece the tone was amazing, and it’s been a part of my setup ever since! I love the smooth easy playing feel.. For me, it’s the perfect mouthpiece!” – Mark Steele

 

WHAT'S INCLUDED

Case: Beautiful Leatherette Case! 

Serial Number: Includes serial number showing care given to your mouthpiece.

Material: Reticulated 24K Gold plating or Premium vintage-style Hard Rubber

Ligature: The metal LAKSHMI includes our integrated two-point contact 24K Gold Plated Liberty Ligature and Alive Gold pressure plate. The Hard Rubber LAKSHMI includes the Enlightened Ligature, To truly individualize your sound, try our premium Pressure Plates, which fit all of our mouthpieces and ligatures!.

Cap: Patented Reed Replacer Cap.

Bite Pad: User Replaceable Bite Pads allow you to peel and stick on new bite pads. 

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SKU: 70012962385

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Masked Reviewer
Louisville, US
★★★★★ 5
Gets the Creative Juices Flowing
Format: Paperback
I picked up this book after hearing Kim Addonizio give a reading at my college when I was an undergraduate. Creative Writing and poetry were my areas of emphasis and although we used a different textbook in my poetry class, I came to love this one. It won't give you the formal training in meter and poetic forms that another textbook might, but I love the examples and the prompts for inspiration. It's my favorite book to turn to when I feel the creative well is running dry. It's warm and funny and you feel a real presence from the authors as if you have teachers with you. I haven't met Dorianne Laux, but I have chatted with Kim Addonizio twice after readings and she was lovely. (Her readings are fantastic, by the way, and I highly recommend them!) If you are familiar with Kim Addonizio'ss poems then you shouldn't be surprised to find a section on erotic poetry in this book. Erotic poems have a long tradition in poetry and they are not "porn" as one reviewer suggested. Sexuality and sensuality are part of life and the artistic expression of such is a special skill set. I think it's fantastic that this book doesn't sensor that. I love the examples chosen for this book--many beautiful, contemporary poems that utilize vivid and unexpected imagery. I find them inspiring. They make me want to write and they make me want to be a better writer. I do believe that if you are a beginner or if you are considering this book as a textbook for a class you should consider it as a supplement to a book that goes into a little more depth in certain areas, such as Writing Poems (see if you can get an older edition, if you are lucky, as I see this book has become quite expensive). But this is a fantastic little book and I love having both a hard copy to underline and put notes in and a Kindle copy to keep with me on my phone so I can have a little inspiration with me for easy access. No matter where you are in your journey as a poet, I believe this is a wonderful book to have in your library.
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Reviewed in the United States on January 31, 2021
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Kasey P.
Fort Morgan, US
★★★★★ 5
Received brand new book in perfect condition for less than ten dollars
Format: Paperback
Received brand new book in perfect condition for less than ten dollars. I needed this exact book for a creative writing course and I enjoy the exercises within the different sections. They are very thought provoking and creativity stimulating and would be excellent inspiration for any poetic or even descriptive writer. Also, I find the writing style of the author amazingly easy to read. It is simple and straightforward, easy to follow and not boring as some other texts are. The tone is inspirational honestly, always providing tips and writing encouragement. This is a nice positive twist and delightful different perspective for aspiring writers and though it sounds to be directed at amateurs, I think any author who may experience writer's block at times could find this useful and full of insight to try out fresh perspectives to pen about topics that may be applied to a broad range of subjects. Quality informative and yet uplifting text regarding poetic writing!
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Reviewed in the United States on January 28, 2017
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Marianne
Whiting, US
★★★★★ 5
Practical, Useful, Down to Earth, Inspiring!
Format: Paperback
I love this book. After reading the first chapter early one morning I went outside to feed and water my cats and came in and wrote a poem about flowing water, tangled morning glories and memories of my mother. It's one of the most inspiring, practical and encouraging books about writing poetry that I've ever read, and trust me, I've read them all. It has technical information and poems to illustrate each chapter, which is very helpful. The suggestions at the end of each chapter are down to earth and do-able, unlike some books that are just too high-minded for the average person. If you love to write poems and just need some inspiration and a little advice and encouragement, then definitely buy this book. It's worth its weight in gold!
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Reviewed in the United States on July 18, 2005
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Cindy Lou Lpn
Waukegan, US
★★★★★ 4
Took me by surprise 😮
Format: Paperback
The revised part of my review: I do agree with a reviewer; Thomas "Should Have Been Better" Especially his paragraph here: [Unless (like the authors) you think that Sharon Olds' "passing blood and feces and water" and her "stool black with iron pills" (page 234) are high points in the world of modern poetry, you may resist their suggestion to "read all five of her books, for pleasure first, of course, but secondly to examine how she goes about her difficult task" (page 47).] As I have read more, I am reevaluating my own opinions of this book. I still feel it has been helpful, although much of it I would have preferred to have never read! Poor choice of examples to a student indeed! This, is my original review: I thought it was going to be a bunch of lame assignments, well there definitely are some assignments so to speak. I haven't even made it through half of the 1st chapter and I've written 6 or 7 new reflections (which some call poetry)! It digs deep, at least it did for me...pretty personal when you open yourself up to it. Good challenge and good lessons to glean from and grow as a writer. I still plan on keeping this around, probably with a few pages removed.
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Reviewed in the United States on October 1, 2023
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Ann Onomymous
Boise, US
★★★★★ 5
Arrived in good condition
Format: Paperback
Arrived in good condition
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Reviewed in the United States on March 27, 2026

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