SKU: 68409212725
how to water philodendron selloum

how to water philodendron selloum Philodendron selloum 'Hope' — Tropical Split-Leaf Philodendron

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Description

how to water philodendron selloum Philodendron selloum 'Hope' — Tropical Split-Leaf PhilodendronGrowers Choice you are buying a plant similar in size and appearance to the ones in the photos. This plant does not ship to AZ, CA, or LA due to agricultural regulations. Cold Weather Notice: Tropical plants do not tolerate temperatures below 45 F. If temperatures in your area are expected to drop below 45 F, please purchase our Heat Pack Shipping Insurance to protect your order during transit. This optional add on helps ensure your plant arrives

Grower’s Choice — you are buying a plant similar in size and appearance to the ones in the photos.
This plant does not ship to AZ, CA, or LA due to agricultural regulations.

Cold Weather Notice: Tropical plants do not tolerate temperatures below 45 °F.
If temperatures in your area are expected to drop below 45 °F, please purchase our Heat Pack – Shipping Insurance to protect your order during transit.
This optional add-on helps ensure your plant arrives healthy and safe through colder months.

Philodendron selloum ‘Hope’ (also known as Thaumatophyllum bipinnatifidum) is a lush, deeply lobed tropical plant that adds instant architectural beauty to any space.
Its large, glossy green leaves develop dramatic splits and ruffled edges as they mature, creating a bold, sculptural presence.
This self-heading variety grows outward rather than climbing, making it perfect for floor displays, patio planters, or bright indoor corners.
With a tropical canopy feel and dependable growth habit, it’s one of the most rewarding Philodendrons for beginners and collectors alike.

Basic Care
Light: Bright, indirect light preferred; tolerates partial shade.
Water: Keep soil evenly moist; allow the top inch to dry slightly between waterings. Avoid standing water.
Humidity: Prefers moderate to high humidity; mist occasionally or grow near a humidifier.
Temperature: Ideal 70–90 °F; protect from cold drafts.
Fertilizer: Feed every 4–6 weeks during the growing season with a balanced fertilizer diluted to half strength.
Difficulty: Easy — vigorous, forgiving, and adaptable in most home environments.

Phonetic: fill-oh-DEN-dron seh-LOOM HOPE

Leaf Stork specializes in rare tropical plants and collector aroids — Anthurium, Monstera, Philodendron, Syngonium, and Alocasia.
From our greenhouse to your doorstep, each plant is nurtured with care and shipped to ensure a healthy, secure arrival.

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      SKU: 68409212725

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      4.4 ★★★★★
      Based on 150 reviews
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      Verified Purchase
      David R. Papke
      New York, US
      ★★★★★ 5
      Recommended for All Lawyers
      Format: Paperback
      Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on May 7, 2014
      D
      Verified Purchase
      DoubtfulReader
      Charlottesville, US
      ★★★★★ 3
      Notes on Legal Style by a Law Professor and Experienced Lawyer.
      Format: Kindle
      BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on June 27, 2017
      M
      Verified Purchase
      Matt M.
      Omaha, US
      ★★★★★ 5
      Great book and great professor
      Format: Paperback
      Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on January 19, 2021
      J
      Verified Purchase
      J. Christian
      Birmingham, US
      ★★★★★ 4
      Interesting book
      Format: Paperback
      I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on March 20, 2014
      C
      Verified Purchase
      Classics professor
      Massapequa, US
      ★★★★★ 5
      Highly recommended -- not just for lawyers!
      Format: Paperback
      I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on April 20, 2017

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