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Description
cybex kocarky Cybex Platinum e-PRIAM 3 Complete Stroller, Matte Black Frame/ Coconut Brown Lux SeatSmart technology meets luxurious design to create the e Priam stroller, giving parents e powered freedom and flexibility from day one. Superior wheels and suspension keep every journey on uneven surfaces smooth, turning cobblestones, park paths, and sandy strolls into effortless travel. An innovative rocking mode, controlled via its own app, gently sways the stroller back and forth to soothe your baby. Its travel system ready, so you can easily switch
Smart technology meets luxurious design to create the e-Priam stroller, giving parents e-powered freedom and flexibility from day one. Superior wheels and suspension keep every journey on uneven surfaces smooth, turning cobblestones, park paths, and sandy strolls into effortless travel.
An innovative rocking mode, controlled via its own app, gently sways the stroller back and forth to soothe your baby. It’s travel system ready, so you can easily switch between the included Lux Seat Unit or attach a Priam Fold Lux Carry Cot or infant car seat (both sold separately) to keep outings seamless from door to destination.
e-Priam: Smart engineering that empowers parents.
Features
- Rocking mode: This world-first feature is controlled via the e-Priam’s app to gently rock the stroller back and forth to soothe your baby. Choose between three rocking settings and adjust the duration.
- Smart uphill support: Smart Hill Support helps you take hills with ease, keeping outings smooth and comfortable. Handlebar sensors detect push pressure and adjust electric motor support accordingly.
- Smart uneven surface support: Advanced technology keeps every e-Priam journey smooth on uneven terrain, turning cobblestones, park paths, and beach strolls into effortless rides.
- Travel system ready: Tailored journeys from first breath to first steps. Effortlessly switch between the included Lux Seat Unit, the Fold Lux Carry Cot (sold separately), or any Cybex infant car seat (sold separately).
- Seamless tech integration: Discreetly located behind the wheels, the electric motors are so quiet your child rides undisturbed. The battery indicator and power switch blend seamlessly into the stroller’s design.
- One-hand fold: Always have one hand free to hold your baby. Effortlessly fold the e-Priam stroller with one hand while keeping your little one close.
- Ergonomic near lie-flat seat: The seat reclines to a near lie-flat position, providing ergonomic support and a comfortable resting space as your baby grows.
- Unique one-pull harness: Secure your child in seconds with just one hand. The one-pull harness keeps them safe and makes on or offboarding easy.
- Reversible seat unit: Easily switch the seat direction as your child develops. Whether they want to face you or explore the world, reversing the seat is quick and simple.
- Adjustable leg rest: The fully integrated leg rest adjusts easily to support your growing child, offering a comfortable and ergonomic seating position.
- XXL extendable UPF 50+ sun canopy: An extra-large, extendable canopy provides reliable protection from sun, wind, and rain.
- All-wheel suspension: Smooth out every journey with individual suspension on large wheels, designed to absorb bumps across any terrain.
- Two-wheel mode: Take on stairs or sandy terrain with ease. The e-Priam transforms to allow the larger wheels to handle more challenging surfaces.
- Extra-large color-matching storage basket: Spacious and easy to access, with the ability to fold out when extra room is needed.
Specifications
- Suitable from 6 mos to 55 lbs
- Stroller Measurements Assembled: 36.38"L X 23.6"W X 44.9"H
- Stroller Measurements Folded: 36.8"L X 23.6"W X 20.4"H
- Stroller Weight: 33.5
What's Included
- e-Priam Frame, Lux Seat Unit, Basket, Battery and Charger, Rain Cover, Cup Holder, Bumper Bar, and Infant Car Seat Adapters
Compatible with
- Priam Fold Lux Carry Cot or any Cybex infant car seat
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
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4.4 ★★★★★
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017