SKU: 66659798240
philodendron 'florida ghost'

philodendron 'florida ghost' Philodendron 'Florida Ghost' – Rare Indoor Plant

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Description

philodendron 'florida ghost' Philodendron 'Florida Ghost' – Rare Indoor PlantA Hauntingly Beautiful Indoor Plant Looking to add a rare and exotic statement piece to your indoor plant collection? The Philodendron 'Florida Ghost' is a must have for plant lovers who appreciate unique foliage. With its ghostly white new leaves that gradually transform into rich shades of green, this tropical beauty brings a dynamic, ever changing look to your space. Its distinctively lobed leaves and compact, upright growth habit make it a

A Hauntingly Beautiful Indoor Plant

Looking to add a rare and exotic statement piece to your indoor plant collection? The Philodendron 'Florida Ghost' is a must-have for plant lovers who appreciate unique foliage. With its ghostly white new leaves that gradually transform into rich shades of green, this tropical beauty brings a dynamic, ever-changing look to your space. Its distinctively lobed leaves and compact, upright growth habit make it a standout centerpiece for any indoor oasis.

Whether you're a beginner or a seasoned collector, this low-maintenance aroid is an excellent addition to your home or office garden. Elevate your indoor jungle with this enchanting plant that’s sure to turn heads!


🌿 Why You’ll Love the Philodendron 'Florida Ghost'

  • Rare & Unique Foliage: New leaves emerge in shades of white, pale green, or mint before deepening to emerald green.
  • Low-Maintenance: Easy to care for, making it suitable for both beginners and experienced plant parents.
  • Statement Piece: A showstopper in any plant collection with its dramatic, tropical appearance.

🪴 Philodendron 'Florida Ghost' Care Guide

👉 Light: Thrives in bright, indirect light but can tolerate lower light conditions. Avoid direct sun to prevent leaf burn.
👉 Water: Keep soil evenly moist but not soggy. Use a well-draining, airy potting mix for best results.
👉 Humidity: Prefers higher humidity but does well in average indoor environments.
👉 Temperature: Ideal range is 65°F to 75°F. Avoid drafts and sudden temperature changes.
👉 Feeding: Fertilize monthly during the growing season with a balanced liquid fertilizer to promote healthy growth.
👉 Pruning: Remove yellowing or damaged leaves to encourage new growth.
👉 Propagation: Easily propagated through stem cuttings in water or soil.
👉 Growth Habit: The Philodendron 'Florida Ghost' is a vining philodendron. It grows best when provided with a support structure, such as a moss pole or trellis, which encourages larger, more mature leaves. Without support, it will trail or cascade over time.
👉 Toxicity: Keep out of reach of pets and children, as this plant is toxic if ingested.


🌟 Fun Fact: Why It’s Called the 'Florida Ghost'

The name 'Florida Ghost' comes from its new leaves that resemble ghostly white apparitions. Over time, these pale leaves transform into rich shades of green, creating a mesmerizing color evolution that makes each plant truly one of a kind.


🌱 Philodendron 'Florida Ghost' FAQs

Q: What’s the Difference Between Philodendron 'Florida Ghost' and 'Florida Ghost Mint'?

The 'Florida Ghost' has bright white or pale green new leaves that darken with age, while the 'Florida Ghost Mint' shows softer, consistent mint-green new growth that stays lighter for longer.

Q: Is the Philodendron 'Florida Ghost' a Vining Plant?

Yes! The 'Florida Ghost' is a vining philodendron that benefits from climbing support like a moss pole or trellis. Without support, it will trail, but its leaves tend to stay smaller.

Q: Why Are My 'Florida Ghost' Leaves Not Turning White?

New leaf coloration depends on light levels. Ensure your plant gets bright, indirect light to encourage pale or white new growth.


🛒 Ready to Add the Philodendron 'Florida Ghost' to Your Collection?

Shop now and bring home this rare tropical gem that will elevate your plant collection. Perfect for plant parents seeking something spectacular and unique!


📚 More Care Tips & Expert Advice

Want to keep your Philodendron thriving? Explore our comprehensive Philodendron Care Guide for detailed tips on watering, light, humidity, and more. Your ‘Florida Ghost’ will flourish with our tried-and-true plant care advice!


🛍️ Why Shop at Ed’s Plant Shop?

Locally owned, Brooklyn-based plant shop
Hand-selected, healthy plants shipped with care
Nationwide shipping + local NYC delivery & pickup available
Expert plant advice from a passionate team of horticultural enthusiasts

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SKU: 66659798240

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Verified Purchase
David R. Papke
New York, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Bozeman, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Port Orchard, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Battle Creek, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Boise, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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