SKU: 61372588835
avenger ag burndown herbicide

avenger ag burndown herbicide Avenger® | AG Optima Burndown Herbicide | Concentrate

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Description

avenger ag burndown herbicide Avenger® | AG Optima Burndown Herbicide | ConcentrateAvenger AG Optima Burndown Herbicide Concentrate 32 oz. Item # AVGR OPTC32OZ 12 View SDS Avenger AG Optima is an excellent botanical alternative to synthetic, toxic herbicides when you need to use in areas where children and pets are present. Its intended for both agricultural and non agricultural use and has a more economical dilution ratio versus competitors. Using a natural citrus oil base, this is a non selective herbicide that kills a broad

Avenger® | AG Optima Burndown Herbicide | Concentrate | 32 oz.
Item # AVGR-OPTC32OZ-12 - View SDS

Avenger® AG Optima is an excellent botanical alternative to synthetic, toxic herbicides when you need to use in areas where children and pets are present. It’s intended for both agricultural and non-agricultural use and has a more economical dilution ratio versus competitors.  Using a natural citrus oil base, this is a non-selective herbicide that kills a broad spectrum of weeds and unwanted grasses naturally and quickly. Its main ingredient is d-Limonene and it is for use in organic production around both food crop and non-crop areas. Always follow label directions.

  • Environment: Outdoors, Crops, Orchards & Vineyards, Nursery
  • Active Ingredients: d-Limonene (citrus oil)
  • Shelf Life: 2 years from manufacture date
  • Toxicity: No toxicity known
  • Certifications: EPA, USDA NOP
  • Storage: Store in original container

 How to Use: 

Mix this product in clean water and apply to the foliage of vegetation to be controlled. Spray until weeds are thoroughly wet. Because the underside of the weed leaf may be more susceptible, side sprays are recommended.

Environmental Conditions:

Avenger® AG Optima is effective over a wide range of environmental conditions. Cool weather may slow the activity of the product. For best results, spray when ambient high temperatures are expected above 50°F and lows above freezing. On cooler days, spray during the warm part of the day. Allow heavy dew to evaporate prior to Avenger® AG Optima applications. Do not apply if windy conditions exist or rain is expected within 2 hours.

Mixing of Avenger® AG Optima:

 Fill the spray tank ½ full with clean water. Add Avenger® AG Optima while agitating. Then fill remainder with water.

Tank Mixing of Avenger® AG Optima:

 Fill the spray tank ½ full with clean water. Add any dry formulations and then liquid formulations to the tank. Add Avenger® AG Optima while agitating. Then fill remainder with water.

 Restrictions:

 Do NOT exceed 5 gallons of Avenger® AG Optima (20.4 lbs. d-limonene) per acre per application. Do NOT exceed a total of 16 gallons of Avenger® AG Optima (65.1 lbs. d-limonene; Table 1) per acre per year. Determine the final desired finished spray volume according to the appropriate dilution as describe in Table 1. Irrigation and Aerial

Applications: Do not apply this product through any type of irrigation system or by aerial application.

 Spray Drift Management:

 Follow directions for minimizing spray drift. Do not allow the herbicide solution to contact desirable vegetation as small amounts can cause severe damage to crops and other desirable plants. AVOID CONTACT WITH CROP – Intentional or accidental contact (including drift) of Avenger® AG Optima with the crop may result in severe damage or loss of the crop.

 Application Rate:

Four types of applications are described below: Broadcast, Banded, Spot and Pre-Harvest Desiccation. Mixing volumes for two dilution rates are found in Table 1. Apply Avenger® AG Optima at a 7-10% mixture depending on the size of the weeds. For smaller, young, actively growing weeds and grasses, apply the lower 7% mixture. For controlling larger, tough to kill weeds, use the higher 10% mixture. Use the lowest mixture whenever possible to control weeds and grass.

  • Broadcast Applications: Broadcast treatments are used for burndown of unwanted weeds and grass across a field or a plot or apply to burndown winter foliage. Apply Avenger® AG Optima at pre-emergence or at planting. Applications must be made before seedling emergence to avoid severe injury. Allow at least 2 days between application and transplanting. Spray until weeds and grass are thoroughly wet.
  • Banded Applications: Control or suppression of emerged weeds and grasses in row middles and between vines and trees. Apply Avenger® AG Optima at a 7-10% mixture depending on the size of the weeds. Only use the 10% mixture when absolutely necessary to control difficult weeds. Apply by directing spray between the rows and using hooded sprayers to prevent spray contact with crop plants. Keep hoods adjusted to ensure adequate contact with weeds and grass while shielding the crop from the herbicide. To minimize drift, do not use nozzles or nozzle configurations that produce fine droplets (mist).
  • Spot Applications: In cool situations or for tough to kill weeds, a more concentrated spray of d-limonene may be needed. In such situations, a 10% mixture of Avenger® AG Optima (1:10 mixture) may be used up to one (1) week before harvest (see Table 1).
  • Pre-Harvest Desiccation of Vegetable Vines: Apply Avenger® AG Optima at a 7 or 10% mixture to aid in the desiccation of vegetable vines prior to harvest operations. A second application may be necessary to obtain sufficient desiccation.

Table 1. Mixing Directions of Avenger® AG Optima

Desired Spray volume (gallons)

7%

10%

1

9 fl. Oz

13 fl. Oz

60

4.2 gal

6 gal

100

7 gal

10 gal

160

11.2 gal

16 gal

228

16 gal

N/A

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SKU: 61372588835

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David R. Papke
Chelsea, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
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DoubtfulReader
Waukegan, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Houston, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Chelsea, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
Dallas, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017

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