vine jade plant Red Jade Vine (Mucuna Bennettii)
SKU: 53687293732
vine jade plant

vine jade plant Red Jade Vine (Mucuna Bennettii)

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Description

vine jade plant Red Jade Vine (Mucuna Bennettii)There are spectacular flowering vines and then there is the Red Jade Vine (Mucuna bennettii). Native to the tropical rainforests of Papua New Guinea and distributed across the islands from Sulawesi to Vanuatu, it produces pendant racemes of fiery scarlet, claw shaped flowers that hang in chandelier like clusters up to 90120 cm long each raceme a cascade of dozens of vivid blooms that drip with nectar and attract birds from a distance. It is a

There are spectacular flowering vines — and then there is the Red Jade Vine (Mucuna bennettii). Native to the tropical rainforests of Papua New Guinea and distributed across the islands from Sulawesi to Vanuatu, it produces pendant racemes of fiery scarlet, claw-shaped flowers that hang in chandelier-like clusters up to 90–120 cm long — each raceme a cascade of dozens of vivid blooms that drip with nectar and attract birds from a distance. It is a vigorous, woody climber that grows fast and reaches impressive size, requiring a strong tree, pergola, or trellis to support it. In India's tropical and subtropical climate it is completely at home outdoors year-round — and a well-established vine in full flower is genuinely one of the most dramatic sights in the plant world.

💡 The Most Important Rule — Sun on Top, Shade on the Roots Red Jade Vine has an unusual requirement that catches many growers off-guard: the canopy wants full sun, but the roots must stay cool and shaded. Plant at the base of a tree or pergola where the root zone stays naturally shaded, or mulch the root area heavily (7–10 cm deep) to keep it cool. Exposed, sun-baked roots cause chronic stress, yellowing, and failure to flower — even when the vine above looks healthy.
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Light

Full sun to bright partial shade for the canopy — at least 6 hours of direct sunlight daily produces the most vigorous growth and flowering. South or west-facing open garden positions are ideal. Roots must be kept shaded at all times — see note above.

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Watering

Keep soil consistently moist during the growing season — water deeply 2–3 times a week in warm weather. Allow the top few centimetres to dry slightly between waterings; the vine tolerates brief dry spells but not prolonged drought. Mulch heavily to retain soil moisture and keep roots cool. Reduce watering in cooler months.

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Humidity

Moderate to high humidity preferred — thrives in India's tropical outdoor climate without intervention. For potted specimens in drier conditions, mist the foliage in the morning. Sensitive to cold dry air below 13°C — bring indoors or protect during cold spells.

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Growing Media

Deep, rich, well-draining organic soil. Mix 35% loamy garden soil, 35% well-rotted compost or FYM, 20% coarse sand or perlite, 10% coco coir. pH 6.0–7.5. For pots, use the largest container possible — at least 45–50 cm wide and deep. Mulch the surface 7–10 cm deep. In-ground planting is strongly preferred for mature plants.

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Feeding

Feed with a balanced or phosphorus-rich fertilizer (low nitrogen) every 6–8 weeks during the growing season. High nitrogen promotes excessive leaf growth at the direct expense of flowering — avoid it. Top-dress with well-rotted compost every 3 months. Stop feeding in winter.

🌸 Flowering — What to Expect and When Red Jade Vine typically flowers from its second year onwards, with blooms appearing in autumn and winter. Each raceme takes weeks to develop fully — do not disturb the vine once buds are forming. Prune immediately after flowering to encourage strong new growth for the next season's flowers. Consistent bright light, cool roots, and low-nitrogen feeding are the three most reliable triggers for flowering.
⚠️ Common Issues & Quick Fixes

Yellow Leaves

The most common symptom — almost always caused by cold temperatures below 13°C or overheated, sun-exposed roots. Check temperature and ensure the root zone is shaded and mulched. Overwatering or poor drainage can also cause yellowing — check soil conditions.

Not Flowering

Most likely causes: plant under 2 years old, roots in direct sun, too much nitrogen fertilizer, or insufficient light. Ensure roots are shaded and mulched, switch to a low-nitrogen bloom fertilizer, and ensure the canopy gets at least 6 hours of sun. Flowering peaks in autumn — patience through summer is essential.

Slow Growth

Insufficient light, poor soil nutrition, or a pot that is too small. Move to a sunnier position, enrich the soil with compost, and ensure the container is large enough — or plant in-ground. This vine grows vigorously once established in the right conditions.

Leaf Drop

Cold temperatures below 13°C cause rapid leaf drop. Protect from cold and bring potted plants indoors or under cover during cold spells. Resume normal care once temperatures stabilise above 15°C — new leaves will emerge.

Mealybugs or Spider Mites

Inspect leaf undersides and stem joints. Spray thoroughly with diluted neem oil or insecticidal soap every 7–10 days for 3 weeks. Good air circulation and adequate watering reduce pest pressure significantly.

📋 Quick Plant Profile

Botanical Name Mucuna bennettii F.Muell.
Common Names Red Jade Vine, New Guinea Creeper, Flame of the Forest
Family Fabaceae (legume / pea family)
Origin Papua New Guinea; Sulawesi to Vanuatu
Flower Description Fiery scarlet, claw-shaped; pendant racemes 90–120 cm long; heavy nectar; attracts birds
Blooming Season Autumn and winter; from year 2 onwards
Critical Rule Canopy in full sun; roots must stay cool and shaded — mulch heavily
Light Full sun to bright partial shade (canopy); roots shaded at all times
Watering Consistently moist; 2–3 times a week in warm weather; mulch to retain moisture
Temperature Above 13°C minimum; cold-sensitive; thrives in tropical and subtropical India
Mature Size Large woody climber — 10–15 m at full maturity; needs strong support
Support Required Large tree, strong pergola, or heavy-duty trellis — essential
Fertilizer Note Low nitrogen — high nitrogen suppresses flowering
Pruning Prune after flowering in early spring to encourage new growth
Ideal For Tropical Gardens, Pergolas, Large Trees, Statement Climbers, Bird Gardens
Care Level Intermediate — shaded roots and low nitrogen are the two key requirements
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SKU: 53687293732

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dra
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★★★★★ 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000." On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there. From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link. Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name. The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin. In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair. Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. 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Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
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Reviewed in the United States on May 3, 2014

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