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planta de jade fotos Shop 'Crassula ovata Hummel's Sunset Jade' Care & Growing Guide

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planta de jade fotos Shop 'Crassula ovata Hummel's Sunset Jade' Care & Growing GuideThe Crassula ovata 'Hummel's Sunset' is a vibrant succulent admired for its striking golden yellow and green foliage edged with hints of red. It is also known as sunset jade, Hummel's sunset jade, or golden jade tree. A colorful cultivar of the classic jade plant, it brings warmth and brightness to succulent collections and indoor plant displays. Its thick, glossy leaves store water, making it a hardy and low maintenance choice for both beginner and

The Crassula ovata 'Hummel's Sunset' is a vibrant succulent admired for its striking golden-yellow and green foliage edged with hints of red. It is also known as sunset jade, Hummel's sunset jade, or golden jade tree.

A colorful cultivar of the classic jade plant, it brings warmth and brightness to succulent collections and indoor plant displays. Its thick, glossy leaves store water, making it a hardy and low-maintenance choice for both beginner and experienced plant enthusiasts. 

Like other popular jade varieties such as Crassula ovata 'Gollum' and Crassula ovata 'Botany Bay', this plant features thick, glossy leaves that store water, making it a hardy and low-maintenance choice for both beginner and experienced plant enthusiasts. 

Native to South Africa and Mozambique, this succulent, also known as Hummel's Sunset Jade, Golden Jade Plant, or Sunset Jade, is known for the way its leaves change color throughout the year.

When exposed to bright light and cooler temperatures, the foliage develops deeper golden tones with reddish margins, giving the plant its signature “sunset” appearance.

One of the most attractive features of Hummel’s Sunset is its compact, branching growth habit.

The plant forms a small shrub-like structure with thick woody stems and clusters of oval leaves that create a dense, sculptural appearance. Its colorful foliage makes it a standout in succulent arrangements, container gardens, or sunny windowsills. 

When growing indoors, your Crassula ovata ‘Hummel’s Sunset’ can grow up to 3 feet tall. Outdoors in warm climates, it may grow slightly larger over time. Its manageable size makes it perfect for patios, balconies, or bright indoor spaces. 

During late fall to winter, mature plants may produce clusters of small star-shaped white to pale pink flowers. These delicate blooms appear at the tips of the branches and create a beautiful contrast against the warm-toned foliage, adding seasonal interest to the plant. 

When it comes to care, this Crassula ovata ‘Hummel’s Sunset’ thrives in well-drained, specialized succulent soil that prevents excess moisture retention. Water sparingly, allowing the soil to dry out completely between waterings, as this succulent is highly drought-tolerant and sensitive to overwatering.  As an indoor houseplant, it prefers bright light with several hours of direct sun and grows best in temperatures between 65°F and 80°F.

Outdoors, it is suitable for USDA zones 9–11 and can tolerate temperatures down to about 30°F for short periods, though it should be protected from frost.

Feed lightly in the spring with a balanced, diluted NPK fertilizer once a year to support healthy growth and vibrant coloration. 

A unique aspect of this jade cultivar is its dramatic color transformation. The leaves can shift from soft green to glowing yellow and orange with red edges depending on light exposure and temperature. This dynamic coloration is what makes Hummel’s Sunset such a popular choice among succulent collectors. 

Final Thoughts

Overall, the Crassula ovata ‘Hummel’s Sunset’ is a resilient and visually striking succulent that combines easy care with vibrant color. Whether grown indoors as a decorative houseplant or outdoors in warm climates, it adds texture, brightness, and charm to any plant collection while requiring minimal maintenance. 

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Kendall Giles
Waukegan, US
★★★★★ 5
Getting words onto the page!
Format: Kindle
There seem to be as many books about how to write as there are actual writers, yet Anne Lamott makes a solid if not altogether inspiring contribution to the collection. Also known for her non-fiction books dealing with depression, Christianity, and alcoholism, in Bird by Bird author Lamott turns her humor and autobiographical lens toward offering sage advice and inspiration for writers of all levels. While far from Strunk and White's The Elements of Style, and mute on the meter of poetry and the tropes of science fiction, Lamott instead focuses more on psychological issues that confront and haunt writers from all genres, such as defeating the blank page, avoiding perfectionism obsessions, cranking out that first draft, and writing for the right reasons. A breadth of writing advice, Bird by Bird gets its title from wisdom Lamott's father once gave to her brother, incapacitated by the task of writing a school essay on birds. The senior Lamott advised the younger to break the assignment down into manageable chunks: "Bird by bird, buddy. Just take it bird by bird." Divided into five parts, in part one Lamott first addresses writing itself -- getting words onto the page. Lamott starts by giving the aspiring author permission to write and then by encouraging the author to just get the words onto the page. Go ahead, just create that first, messy draft: "Almost all good writing begins with terrible first efforts. You need to start somewhere." She then suggests focusing more on creating compelling characters than worrying about plot: "If you focus on who the people in your story are, if you sit and write about two people you know and are getting to know better day by day, something is bound to happen." She even discusses a short story template -- action, background, development, climax, ending -- that can be used as an initial story structure. Dialog is important too, and compelling dialog can be influenced by real-life encounters, but the main goal is to get that first draft written, in short steps, a little each day. In part Two Lamott talks about the writing frame of mind -- about how authors can psyche themselves into writing using rituals at the beginning of each writing session and by believing in the stories they are telling. Part Three presents specific tools authors can use to help recall memorable quotes and scenes, how to collect new material, and how to gain feedback on drafts, such as using index cards on which to jot down ideas, joining or forming writing groups and sending drafts to a short-list of people an author trusts to give honest and useful feedback, and overcoming writer's block by refilling the author's emptiness through short exercises just to get the fingers moving. In part Four Lamott talks about the publication process and why an author simply giving herself to the writing act in and of itself is often the best reward: "There is no cosmic importance to your getting something published, but there is in learning to be a giver." Part Five contains final words of wisdom and encouragement for the budding author. For example, an author should not hesitate to use experiences from their childhood (and tips are given on how to avoid libel when using autobiographical material). Overall, rather than being the strict writing schoolmarm, Lamott is more like a writing companion. She chats over your shoulder with you at the end of the day, sipping a glass of wine, reflecting on her own experiences in the writing trenches, and sharing what worked for her in achieving success. Her advice is true and her voice is encouraging -- she uses self-deprecating humor to convince any reader that their writing anguish is neither new nor unique since Lamott herself has likely already confronted and conquered those same demons. She persevered and achieved success, and the reader of her book too shall overcome and get their story onto the page. She mentions God throughout, but she does not come across as preachy. Again, she's relating what worked for her, using anecdotes from memorable episodes in her life. There's no magic and no divine inspiration to solve writing problems--she uses real techniques and encouragement to help confront and conquer the blank page. Indeed, we can all use encouragement and insights from someone who's already been there. Like the oft-repeated "Practice, practice, practice" response by legendary pianist Arthur Rubinstein when he was stopped on a street in New York and was asked, "Pardon me sir, how do you get to Carnegie Hall?", Lamott's response to writers in Bird by Bird is just as wise and true, but perhaps even more motivational due to her humor and honest expression from the trenches.
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Reviewed in the United States on April 20, 2011
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Nick
Birmingham, US
★★★★★ 3
Worthwhile, though average, experience
Format: Kindle
I'll start this review by stating that I'm not an aspiring novelist, at least at the moment. A hearty recommendation prompted me to read this book, though I had only a cursory idea of the subject matter. At a time when it seems that only raving praise or apoplectic hate receive meaningful attention, stating that something is only okay or average feels especially hostile. Unfortunately I must admit that was my finding of this book, that it was a middle of the road, if not totally unexceptional, experience that elicited little in the way of strong responses. Let me be clear: there is value in this book especially for the would-be writer looking for advice, try a sample to feel this book out and don't let my ambivalence scare you off. The positives should probably come first, right? The author is clearly passionate about the subject and it doesn't matter what the topic happens to be, when the writer cares about the topic it immediately makes the book more enjoyable to read. Ms. Lamott's writing is straightforward and honest and I appreciate that immensely. Another book I was reading concurrently too often felt pedantic and by comparison this one did not reek of this stench one bit. The author is perhaps overly generous in her use of quotes, but they're not cloying as if to convince you that she should be taken seriously. Instead these quotations are offered as useful pearls of wisdom. I come from a world of academia where too many quotations tend to be frowned upon, but you may like them so chalk this up to my own biases. While Ms. Lamott doesn't suffocate you with her qualifications, she is entirely within her rights to do so. I say this to illustrate the following point: if you are willing, this book can help you with something. As I said, I'm not looking to publish a novel, article or really anything but there are suggestions and advice that apply beyond the page. I count this as the book's main strength and what keeps it from being entirely forgettable. A challenge I often face, like any writers reading this review, is just getting started and the exhortation offered by the author was so true that I cannot help but to think of the help it will give me. The book is also humble, it doesn't get convoluted and I think avoiding that pitfall deserves praise. The negatives, specific to me perhaps, start with the sense that I found the description of writing and the writing process too mystical. Maybe this too irritates nerves made too sensitive by years of academic rather than creative writing, but if I were looking for advice on a finishing a short story the encouragement to "listen to my characters" would seem silly to me. I understand that the author can only relay what has been helpful to her but it at times seems overly caught up with the love affair of writing as opposed to more substantive things a person can try. Secondly, the tendency just mentioned all too often takes up more space than what seems to be needed and the book is consequently longer than it felt like it needed to be. Overall, I found this book to be a solid middle-of-the-road experience. I wouldn't dismiss it totally but I found myself having to look the other way on several occasions. That maybe speaks more to my background than anything else and if you are a fan of the author please don't take it that I'm trying to tarnish her work in any way. Really, I guess this review is more geared to the person like me who is perhaps not a writer in the sense envisaged by this book. Maybe you are being recommended at this very instant to pick up a copy and maybe, like me, you're somewhat skeptical. To this hypothetical person I say this: it is worth reading even if the starry-eyed expressions get a little trite after a while. I would argue that this is a bit of high praise by itself, it isn't too often that somebody would say that a generally average book is worth the time it takes to read it. I think that's worth something, maybe about as much as this book.
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