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Description
water trays for potted plants Water Humidity Tray for Houseplants, Includes Pebbles Mustard / WhiteIntroduce a touch of innovation to your indoor gardening with the Pebble Humidity Tray, specifically tailored for enthusiasts of Alocasia and other humidity loving plants. Crafted with cutting edge 3D printing technology, this tray is as stylish as it is practical, making it an excellent gift for any plant lover. Features: Includes 1qt bag of Pebbles per Tray. Recommended to start with 3 Trays. Main image is Green Base, Black Tray. If there is a color
Introduce a touch of innovation to your indoor gardening with the Pebble Humidity Tray, specifically tailored for enthusiasts of Alocasia and other humidity-loving plants. Crafted with cutting-edge 3D printing technology, this tray is as stylish as it is practical, making it an excellent gift for any plant lover.
Features: Includes 1qt bag of Pebbles per Tray. Recommended to start with 3 Trays.
Main image is Green Base, Black Tray. If there is a color you see that is not listed please reach out.
- Unique Hexagonal Design: With its distinctive hexagon shape measuring 6.2 inches tip-to-tip and 5.5 inches edge-to-edge, this tray adds a modern flair to your plant display. The 1.25-inch depth holds sufficient water to boost ambient humidity.
- Modular Functionality: Easily connect multiple trays to accommodate larger pots or expand your garden area, providing flexibility and scalability in your plant arrangements.
- Enhanced Humidity Control: Designed to maintain the ideal moisture levels, this tray helps mimic the natural environments of tropical and subtropical plants, promoting lush growth and vibrant leaves.
- Eco-Friendly Material: Constructed from sustainable, high-quality 3D printed materials, the Pebble Humidity Tray supports your eco-conscious lifestyle while ensuring durability.
- Versatile Use: Perfect for a wide range of humidity-loving houseplants, such as Ferns, Orchids, and especially Alocasia. Also great for germinating seeds or rooting cuttings.
- Decorative and Practical: The sleek, contemporary design integrates seamlessly with any decor style. Choose from a variety of colors to complement your home or office.
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Easy Maintenance: Simple to use—just add water—and effortless to clean, enhancing the practicality and enjoyment of your indoor gardening experience.
Perfect Gift: An ideal choice for both novice and experienced gardeners, making it a wonderful present for birthdays, housewarmings, or other special occasions.
Embrace advanced, stylish plant care with the Pebble Humidity Tray. Enhance your indoor garden's environment today!
Disclaimer: Due to increased condensation, our pebble trays may cause the product to “sweat.” We recommend placing a matte or towel underneath to protect surfaces in case this occurs.
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4.2 ★★★★★
Based on 1483 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017