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common philodendron houseplant

common philodendron houseplant Philodendron atabapoense 6" Pot / Self Watering / Without Pot

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Description

common philodendron houseplant Philodendron atabapoense 6" Pot / Self Watering / Without PotKey Highlights Philodendron atabapoense The Philodendron atabapoense is highly sought after as a houseplant due to its fast growing, climbing nature and adaptability to indoor conditions. While it thrives in humidity, this plant is surprisingly resilient and can tolerate short dry periods if necessary. Its long, narrow leaves feature deep green tops and striking maroon purple undersides, giving it an exotic appearance. It is a hemi epiphytic plant

Key Highlights - Philodendron atabapoense 

  1. The Philodendron atabapoense is highly sought after as a houseplant due to its fast-growing, climbing nature and adaptability to indoor conditions.
  2. While it thrives in humidity, this plant is surprisingly resilient and can tolerate short dry periods if necessary.
  3. Its long, narrow leaves feature deep green tops and striking maroon-purple undersides, giving it an exotic appearance.
  4. It is a hemi-epiphytic plant that climbs trees in its native habitat and benefits from a moss pole or trellis indoors to encourage larger, elongated leaves.

The Philodendron atabapoense is a striking rare climbing philodendron that has gained popularity among plant collectors due to its elongated, lance-shaped leaves with deep green tops and contrasting maroon undersides. Unlike more common philodendrons, it has a sleek, refined appearance that makes it stand out in any indoor or outdoor plant collection. 

Philodendron atabapoense grows great indoors while maintaining an impressive size, making it a favorite among houseplant enthusiasts. When given proper support, such as a moss pole or trellis, it will produce longer, more dramatic leaves, enhancing its visual impact. In the wild, it grows as an epiphyte, climbing trees and reaching for sunlight while absorbing moisture and nutrients from the humid air. 

Native to the tropical rainforests of Venezuela and Brazil, this plant has long, narrow arrow-shaped leaves with a deep green upper surface and a burgundy to maroon underside with an illustrious shine and sheen.

This color contrast gives it an exotic appearance that is highly appealing to plant collectors.

The plant is also known for its fast-growing nature, especially when provided with adequate support, humidity, and indirect light.

When grown indoors, this Philodendron typically grows up to 6 feet tall and 3 feet wide, depending on its support structure.

In its natural habitat, it can climb much higher, reaching over 10 feet. The leaves can grow significantly longer when provided with optimal conditions, adding to their appeal as a large, dramatic houseplant. 

The flowers of Philodendron atabapoense are small and greenish-white in color. Its blooms consist of a spathe and spadix, which are typical of the Araceae family. The spathe is usually green or maroon on the outside and pale inside, enclosing the spadix that contains tiny flowers. However, it rarely flowers indoors, as it requires specific environmental triggers, including high humidity and warm temperatures. 

One unique aspect of Philodendron atabapoense is its epiphytic and hemi-epiphytic nature, meaning it can grow both in soil and attached to trees. This versatility allows it to adapt well to different growing conditions. It also has a high tolerance for humidity fluctuations, making it easier to care for than some other tropical plants. Its leaves have a leathery texture, helping reduce moisture loss and allowing it to thrive in various indoor environments. 

When and How to Water Your Philodendron atabapoense 

Like other drought-tolerant plants, the Philodendron atabapoense is an excellent choice for plant enthusiasts who prefer low-maintenance greenery. This species can withstand occasional dry spells, thanks to its ability to store moisture in its roots. However, while it is resilient, it thrives best when provided with consistent moisture, allowing the soil to dry out slightly between waterings. Overwatering can lead to root rot, so a well-draining potting mix is essential to prevent standing water.

In the spring and summer, during the active growing seasons, it requires more frequent watering to support its vigorous growth. Water the plant thoroughly when the top 1-2 inches of soil becomes dry, ensuring even hydration. The frequency of watering largely depends on environmental factors such as humidity, light exposure, and pot size. If grown outdoors, the plant may require more frequent watering during hot, dry periods. 

In fall and winter, during the dormant season, your Philodendron enters a slower growth phase and requires less water. Watering should be reduced to prevent excessive moisture build-up in the soil. Ensure the soil is dry at least halfway before the next watering. Maintaining proper humidity levels indoors can help prevent dehydration, but misting is generally unnecessary unless the air is extremely dry. 

Light Requirements – Where to Place Your Philodendron 

When grown indoors as a houseplant, this plant thrives in bright, indirect light. It should be placed near a window with filtered sunlight, such as a north or east-facing window, where it can receive 6 to 8 hours of indirect light daily.

Too much direct sunlight can scorch its leaves, while insufficient light may lead to leggy growth and slower development.

Grow lights can supplement natural light if necessary, ensuring consistent growth throughout the year.

For outdoor cultivation, this Philodendron prefers dappled sunlight or partial shade, similar to its natural rainforest habitat.

It can tolerate morning sun but should be protected from harsh afternoon rays to prevent leaf damage.

If grown under a tree canopy or shaded patio, it will flourish with at least 5 to 6 hours of bright, indirect light daily. In tropical climates, it can be grown outdoors year-round with proper light exposure. 

Optimal Soil & Fertilizer Needs 

The Philodendron atabapoense favors very airy, sandy soil that drains well. Avoid using dense, compacted soils that trap excess water, leading to root rot. Instead, make or buy a well-draining potting mix, or ideally use our specialized potting mix that contains 5 natural substrates and mycorrhizae to promote the development of a strong root system that helps your Philodendron to thrive.

For optimal growth, fertilize Philodendron atabapoense once a year in their actively growing season which is typically spring using a ratio of about 5-10-5 (NPK). Organic options like fish emulsion or worm castings can also boost soil nutrition. Stop feeding in the dormant months when the plant’s growth slows. 

Hardiness Zones & More 

When grown indoors as a houseplant, it prefers temperatures between 65°F and 80°F and humidity levels above 50%. Keeping it in a warm, humid environment mimics its natural tropical habitat, promoting lush growth. Avoid placing it near cold drafts, air conditioners, or heating vents, as extreme temperature fluctuations can stress the plant.

In the United States, this is mostly an indoor plant, but if you live in southern Florida or Hawaii then you can cultivate it outdoors in USDA zones 9-11.

It prefers high humidity and bright, indirect light similar to its rainforest origin.

If growing outdoors in cooler climates, it should be brought inside when temperatures drop below 50°F to prevent cold damage. 

If you are concerned about humidity or notice browning edges on your plant leaves. This addition will dramatically improve the health of your philodendrons. 

Wildlife – Philodendron Flowers Attract the Following Friendly Pollinators 

The Philodendron atabapoense flowers are known to attract a variety of pollinators such as bees, butterflies, hummingbirds, and beetles in their natural habitat. While the plant is primarily grown for its stunning foliage, when it does flower, these pollinators help with its reproductive cycle.

Butterflies
Bees
Hummingbirds
Lady Bugs
Multi Pollinators
Other Birds

According to the ASPCA, Philodendron atabapoense is mildly toxic to humans, and pets such as cats and dogs. The plant contains calcium oxalate crystals, which can cause oral irritation, excessive drooling, and gastrointestinal discomfort if ingested in a large amount. It is safe to touch and handle, making it a popular choice for indoor houseplants.  

How to Propagate Philodendron atabapoense 

The Philodendron atabapoense can be easily propagated through stem cuttings. Select a healthy stem with at least one node and a few leaves, then cut just below the node using sterilized shears. The cutting can be rooted in water or moist sphagnum moss before transferring it to soil. Keep the propagation medium consistently moist and place it in bright, indirect light to encourage root development. 

The Bottom Line 

Overall, the Philodendron atabapoense is a remarkable climbing philodendron with elegant foliage, rapid growth, and stunning leaf contrast. Its adaptability to indoor and outdoor conditions, along with its unique maroon undersides, makes it a favorite among plant collectors. Whether grown on a moss pole or allowed to trail in a hanging basket, it adds a touch of tropical beauty to any space. With proper care, including bright indirect light, well-draining soil, and regular humidity, it will flourish and become a standout feature in any plant collection. Order your very own Philodendron atabapoense for sale today! 

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Julie S.
West Palm Beach, US
★★★★★ 5
5 Stars – A Must-Read for Anyone Interested in Creativity!
Format: Paperback
Creativity: The Psychology of Discovery and Invention* by Mihaly Csikszentmihalyi is a brilliant exploration of the inner workings of creativity and the human mind. Whether you’re an artist, entrepreneur, or simply someone interested in understanding how creative breakthroughs happen, this book provides a fascinating blend of psychology, real-world examples, and deep insights. What sets this book apart is its comprehensive approach to creativity, going beyond the idea of it being a mysterious or innate trait. Csikszentmihalyi breaks down the creative process into digestible parts, showing how environment, discipline, curiosity, and flow all play a crucial role in fostering creative discovery. The interviews with a wide variety of highly creative people—including scientists, artists, and business leaders—add incredible depth and context to his theories. One of my favorite takeaways is how Csikszentmihalyi emphasizes the balance between freedom and structure in creative work, and how finding the "flow" state can lead to moments of true innovation. The book not only helped me better understand my own creative process but also offered practical advice for cultivating creativity in everyday life. This is an insightful, inspiring read for anyone who wants to dive deeper into the psychology behind creative genius. Highly recommend!
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Reviewed in the United States on September 10, 2024
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M. Edwards
Port Orchard, US
★★★★★ 4
Personal Creativity does not equal Domain Transformation
This was a good if not a great book. Its greatest strength lies in the thesis introduced early on and supported throughout that the kind of creativity that leaves a trace in the cultural matrix rests not in the personal creativity of the individual, but in what Csikszentmihalyi tags the "systems approach " to creativity. To have any effect, a creative idea must be couched in terms that are understandable to others, pass muster with the experts in the field (i.e. the gatekeepers to the domain), and be included within the cultural domain (the set of symbolic rules or procedures) to which it belongs. In this systems view, the definition of a creative person is someone whose thoughts or actions change a domain or establish a new domain (pp. 27-28). This is no easy task, especially since he or she needs to learn the existing domain or domains first, and almost always necessitates being in the right place at the right time (e.g. studying quantum physics at the beginning of the 20th century or women seeking academic opportunities when WWII broke out). Having established this in the first 30 pages, if you didn't read the remaining 350 you wouldn't miss much. But I still enjoyed reading the stories and thoughts of selected individuals whom the author deemed as "creative" according to the definition above (However, I disagreed with the selection of a few of these and would have chosen at least one more person of faith in addition to the Quaker who was briefly highlighted. Also on the issue of faith, I found the author's grouping on page 371 of studying the bible with addictive behaviors such as cruising the internet and betting on horse races to be rather laughable!). Some additional personal nuggets I gleaned from this book include the following: 1. Those who persevere and succeed must be creative not only in their manipulation of symbols but maybe even more in shaping a career and a future for themselves that will enable them to survive while continuing to explore the strange universe in which they live (p. 199). 2. When seeking to allow your mind to make new connections in a beautiful setting, just sitting and watching is fine, but taking a leisurely walk seems to be even better. The shaping of one's personal space is also important. The Greek philosophers settled on the peripatetic method, preferring to discuss ideas walking up and down in the courtyards of the academy. When we participate in this kind of "semiautomatic activity" that uses a certain amount of attention, we allow the rest of it to be free to make connections among ideas, often from different domains, well below the threshold of conscious intentionality. "Devoting full attention to a problem is not the best recipe for having creative thoughts. "(p. 138) 3. Both creativity and innovation on the one hand and conservation and traditionalism on the other are both equally important. "Neither uncritical acceptance nor wholesale dismissal of human creativity will lead us far. " (p. 322) The final section deals with how to enhance personal creativity. Some of these ideas were helpful (e.g. to seek to be surprised and to seek to surprise another person at least once every day, to seek to look at problems from multiple perspectives instead of assuming you see the issue clearly from one perspective, etc.) but others just seem to be taking up space on the page. I'm afraid the phraseology of how to use psychic energy more effectively on page 356 and a few other places lost my interest almost completely.
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Reviewed in the United States on November 15, 2010
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pepe
Port Orchard, US
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process. The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual. Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life. HIghly recommended, one of the most interesting learning experiences i have had in a long while!
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Reviewed in the United States on February 5, 2013
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Charles H. Hooker Jr.
Massapequa, US
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
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Reviewed in the United States on July 4, 2023
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Donald Walker
New York, US
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
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Reviewed in the United States on April 30, 2012

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