SKU: 45332099977
is cebu blue a pothos

is cebu blue a pothos Cebu Blue Pothos (Epipremnum pinnatum) Rare Plant – Jungle Relics

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Description

is cebu blue a pothos Cebu Blue Pothos (Epipremnum pinnatum) Rare Plant – Jungle RelicsThe Epipremnum pinnatum 'Cebu Blue', commonly known as Cebu Blue Pothos, is a striking tropical vine prized for its silvery blue, elongated leaves that shimmer in the light. This rare and sought after pothos variety brings an ethereal, almost metallic glow to any space. Whether trailing elegantly from a hanging planter or climbing a moss pole, its unique foliage and easy care nature make it a must have for any plant lover. Why it is Considered Rare:

The Epipremnum pinnatum 'Cebu Blue', commonly known as Cebu Blue Pothos, is a striking tropical vine prized for its silvery-blue, elongated leaves that shimmer in the light. This rare and sought-after pothos variety brings an ethereal, almost metallic glow to any space. Whether trailing elegantly from a hanging planter or climbing a moss pole, its unique foliage and easy-care nature make it a must-have for any plant lover.

Why it is Considered Rare:

The Epipremnum pinnatum 'Cebu Blue' is rare due to its silvery-blue foliage, slow fenestration process, limited nursery availability, and high collector demand, making it a sought-after exotic pothos variety.

Why You’ll Love It: 💚

  • Metallic Blue-Silver Leaves: A unique twist on the classic pothos with an elegant shimmer.
  • Fast & Easy Grower: Low-maintenance and thrives in a variety of conditions.
  • Versatile Growth: Can trail from a hanging basket or climb with a moss pole for dramatic, fenestrated foliage.

Plant Care FAQs:

  • Plant Type: Low Key
  • Plant Vibe: Tropical Climber
  • Light: Thrives in bright, indirect light but tolerates low light; avoid prolonged direct sun.
  • Watering: Allow the top 1–2 inches of soil to dry before watering; avoid overwatering.
  • Humidity: Prefers moderate to high humidity (50–70%) but adapts well to average indoor conditions.
  • Soil: Well-draining potting mix with peat, perlite, and orchid bark.
  • Fertilizer: Feed monthly with a balanced, diluted fertilizer during the growing season.
  • Special Care: Provide a moss pole or trellis for climbing to encourage larger, fenestrated leaves.
  • Toxicity: Toxic if ingested; keep out of reach of pets and children.

Pro Care Tip: Encourage Cebu Blue to develop larger, mature leaves by giving it a moss pole or trellis to climb. Increased humidity and bright, indirect light will enhance its signature blue-silver sheen


Plant Styling Tips: The Cebu Blue Pothos shines in hanging planters where its shimmering vines can cascade gracefully. For a more structured look, let it climb a wooden or moss pole to encourage fenestrations and enhance its tropical appeal. Pair it with darker green foliage plants like Monstera or Philodendron for a bold, contrasting display.

Tea Pairing Recommendation: Pair the Cebu Blue Pothos with a jasmine green tea for a light, refreshing aroma that complements its soft, tropical beauty. This combo creates a peaceful, nature-inspired atmosphere.

The Epipremnum pinnatum 'Cebu Blue' is more than just a pothos—it’s a rare, fast-growing beauty with shimmering silver-blue leaves that bring effortless elegance to any space. Whether trailing, climbing, or cascading, it's a dream plant for collectors and beginners alike!

⚠️ Please note: The plant you receive may not be the exact one pictured, but it will be of the same type and size. Each plant is unique! Expect natural variation in color, leaf shape, and size. Cosmetic blemishes are normal and do not impact plant health.

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SKU: 45332099977

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David R. Papke
Belleville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Chelsea, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Lake Worth, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Carnegie, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
Waukegan, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017

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