SKU: 40691408982
silla maxi cosi pria 70

silla maxi cosi pria 70 Maxi-Cosi Pria™ All-in-One Convertible Car Seat

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Description

silla maxi cosi pria 70 Maxi-Cosi Pria™ All-in-One Convertible Car SeatKeep your little one snug and secure from the very first ride home with the Pria All in One Convertible Car Seat. Made to keep up with your growing family: rear facing car seat (540 lbs., 19"40"), forward facing car seat (3065 lbs., 34. 4"49"), and belt positioning booster seat (40100 lbs., 43. 4"52"). Pria is designed for your childs comfort but includes conveniences for you as well. Raise the integrated QuikFit headrest and harness system with 1

Keep your little one snug and secure from the very first ride home with the Pria™ All-in-One Convertible Car Seat. Made to keep up with your growing family: rear-facing car seat (5–40 lbs., 19"–40"), forward-facing car seat (30–65 lbs., 34.4"–49"), and belt-positioning booster seat (40–100 lbs., 43.4"–52"). Pria is designed for your child’s comfort but includes conveniences for you as well. Raise the integrated QuikFit headrest and harness system with 1 hand to properly fit your child when they seem to grow overnight. ReclineFit provides 3 reclining positions for a relaxing ride, plus an easier fit in your car. The infant pillow and cushions provide extra support and can be easily removed without re-threading the harness.

Key to the design of this grow with me car seat are the premium fabrics. The Pria All in One car seat is designed with EcoCare, our future-friendly, 100%-recycled fabric made from plastic bottles. The yarn produced is soft, comfortable, and breathable––perfect for your little one. And our soft, plush PureCosi™ fabric is made without added fire retardant treatments, which is better for both your child and our planet. All fabrics are machine-washable and dryer-safe.This all-in-one car seat is ready to journey through the years ahead as you create memories with your little one.

Engineered and tested to meet or exceed federal safety standards. Meets federal Side Impact standard. 

Actual fit may vary. Not all children will comfortably fit in the seat for the full weight and height ranges listed.

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SKU: 40691408982

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4.8 ★★★★★
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DoubtfulReader
West Palm Beach, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
West Palm Beach, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
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J. Christian
Battle Creek, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
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Classics professor
Whiting, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017
D
Verified Purchase
Danley Wolfe
Pawtucket, US
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 16, 2023

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