SKU: 35666128721
nuna mixx maxi cosi

nuna mixx maxi cosi Maxi-Cosi Peri 180 Rotating Infant Car Seat, Desert Wonder

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Description

nuna mixx maxi cosi Maxi-Cosi Peri 180 Rotating Infant Car Seat, Desert WonderMake their world go round with Peri 180, our new rotating infant car seat featuring FlexiSpin rotation technology. Peri makes getting your little one in and out of their car seat easier than ever and reduces back strain. It is also the lightest rotating infant car seat available at under 8 lbs. (without canopy and inserts, which weigh approx. 1 lb.), so carrying it is a breeze. For rear facing babies from 430 lbs. and up to 32". Peri 180 also features

Make their world go ‘round with Peri™ 180°, our new rotating infant car seat featuring FlexiSpin rotation technology. Peri makes getting your little one in and out of their car seat easier than ever and reduces back strain. It is also the lightest rotating infant car seat available at under 8 lbs. (without canopy and inserts, which weigh approx. 1 lb.), so carrying it is a breeze. For rear-facing babies from 4–30 lbs. and up to 32".

Peri 180° also features TensionFixTM, which solves the most common installation problem 7 out of 10 parents unknowingly have––loose vehicle belt tension. TensionFix is our patent-pending red-to-green indicator that shows you when your belt has tension. We designed Peri with thoughtful features to make the journey with your little one easier for you both. Parents will love that they don’t need to rethread the QuikFit harness when baby grows, as the headrest and harness can be easily adjusted at the same time with one hand. 5 recline positions for a better fit during installation.

Our new canopy design zips out to extend, providing full-coverage sun protection and privacy for your little one. Easy-to-use magnets secure the canopy to the car seat, and they’re so quiet, you won’t wake baby when you decide you need full coverage.

For a car seat this special, we knew we needed a fresh, new name. And what says “new” better than the color green. Short for peridot, the beautiful green gemstone, symbolizing newness and calm, Peri’s here to bring the calm to your car rides.

Features:

  • FlexiSpin provides 180° seat rotation, so getting babies in and out of their car seats is easy and helps reduce back strain.
  • TensionFix™ red-to-green tension-sensitive indicator on the seat's base shows you when your belt has tension.
  • At just under 8 lbs. (without canopy and inserts, which weigh approx. 1 lb.), Peri is the lightest rotating infant car seat available.
  • The QuikFit 6-position harness means no need to rethread the harness as baby grows.
  • Headrest and harness can be easily adjusted at the same time with 1 hand.
  • 5 recline positions help ensure a better fit during installation.
  • New canopy design zips out to extend for full-coverage sun protection and privacy, and easy-to-use magnets secure the canopy to the car seat.
  • Shell designed with ClimaFlow™ technology for added ventilation.
  • Features a load leg and anti-rebound_bar for added stability.
  • Convenient stay-in-car base and LATCH connectors for quick installation.
  • Extra-plush padding on the removable infant head and lumbar inserts for a cozy, secure fit for tiny travelers.
  • All fabric and cushions are machine-washable.
  • PureCosi™ fabrics are made without wool or added fire retardant treatment––better for your child and our planet.
  • Visible belt paths for secure, on-the-go installation without a base (taxi-mode).
  • 1-hand release from base and stroller.
  • Compatible with select Maxi-Cosi strollers for a complete travel system.
  • Meets or exceeds all federal safety standards.
  • Side Impact Protection (SIP).
  • Fits rear-facing babies 4–30 lbs. and up to 32".
  • 1 Year Warranty.

Specifications

  • 28.5" H x 18.125" W x 29.5" D
  • Carrier Weight: 8 lbs.
  • Weight with Base: 14.9 lbs.
  • Suitable for babies 4-30 lbs. and 32" or less.
Shipping Notes
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Exchange/Return Notes
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SKU: 35666128721

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David R. Papke
Fort Morgan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
West Palm Beach, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Omaha, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
West Palm Beach, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Birmingham, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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