philodendron ilsemanii vs jose buono Philodendron 'Jose Buono' – Foliage Factory
SKU: 2548638061
philodendron ilsemanii vs jose buono

philodendron ilsemanii vs jose buono Philodendron 'Jose Buono' – Foliage Factory

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Description

philodendron ilsemanii vs jose buono Philodendron 'Jose Buono' – Foliage FactoryPhilodendron 'Jose Buono' Philodendron 'Jose Buono' is a large leaved variegated Philodendron grown for thick, oval to elongated leaves marked with cream, yellow green, and deep green marbling. Mature leaves can become broad and substantial, with a heavier texture than many narrow leaved variegated Philodendrons. Each leaf develops its own balance of colour, so one plant may carry fine speckling, broad pale sectors, and cleaner green leaves at the

Philodendron 'Jose Buono'

Philodendron 'Jose Buono' is a large-leaved variegated Philodendron grown for thick, oval to elongated leaves marked with cream, yellow-green, and deep green marbling. Mature leaves can become broad and substantial, with a heavier texture than many narrow-leaved variegated Philodendrons. Each leaf develops its own balance of colour, so one plant may carry fine speckling, broad pale sectors, and cleaner green leaves at the same time.

The plant develops a thick climbing stem with active aerial roots. A vertical support gives the nodes contact points and helps mature leaves sit better as they enlarge.

  • Growth habit: Climbing Philodendron with aerial roots and a stem that benefits from a moss pole, coir pole, or similar support.
  • Leaf shape: Thick, oval to elongated leaves with a broad surface and a firm feel as the plant matures.
  • Variegation: Cream, yellow-green, and green markings vary naturally from leaf to leaf.
  • Container behaviour: Can produce larger leaves indoors when the root zone stays airy and the stem has support.

Thick oval leaves on a climbing stem

A pole or similar support keeps the stem upright and gives aerial roots a surface to attach to. This matters most once the leaves become heavier and the vine starts carrying more mature growth.

The variegated areas contain less chlorophyll than the green parts of the leaf, so the plant depends on healthy roots and enough green tissue for steady growth. Large pale sectors are attractive, but they are also more sensitive to harsh sun, heat, and inconsistent watering.

Light, water and support for Jose Buono

  • Light: Give bright filtered light. Direct midday sun can scorch pale variegated sections, especially on newer leaves.
  • Watering: Water when the upper 3–5 cm of substrate feel dry. Rehydrate the root ball evenly, then let excess water drain fully.
  • Substrate: Use a chunky aroid mix with bark, coco chips, perlite or pumice, and a modest moisture-holding component.
  • Humidity: Moderate to high humidity supports smoother unfurling, especially while large new leaves are expanding.
  • Temperature: Keep it warm, ideally around 20–28°C. Avoid cold wet substrate, which can damage active roots.
  • Support: Tie the stem loosely at the nodes and guide aerial roots toward the pole before the vine becomes heavy.
  • Feeding: Feed lightly during active growth with a balanced fertiliser. Heavy feeding can mark pale leaf tissue and stress the roots.

Leaf marks, small growth and root stress

  • Brown marks on pale sections: Check sun exposure, dry air, and heat near windows. Move the plant into filtered light and stabilise moisture.
  • Small new leaves: Check whether the stem has support, whether roots are active, and whether light is strong enough for climbing growth.
  • Soft yellowing leaves: Check for wet, compacted substrate. Let the mix dry slightly further and improve aeration if drainage is poor.
  • Distorted new growth: Inspect the newest leaves and cataphylls for thrips or mealybugs, then isolate and treat promptly if pests are present.

Pet and child safety

Philodendron 'Jose Buono' is not pet-safe. Like other Philodendrons, it contains calcium oxalate crystals that can irritate the mouth, throat, stomach, and skin if chewed or handled roughly. Keep it away from pets and children, and wash your hands after pruning or removing damaged leaves.

Family and name background

Philodendron belongs to the Araceae family, with a native range across tropical America. The genus name comes from Greek roots commonly translated as “loving” and “tree,” a reference that fits many climbing Philodendrons with aerial roots.

Philodendron 'Jose Buono' develops thick oval leaves, cream-green marbling and a climbing stem that can be trained upward.

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SKU: 2548638061

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Belleville, US
★★★★★ 4
Interesting Mutter
interesting
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Reviewed in the United States on May 13, 2026
C
C. Seiden
Lake Worth, US
★★★★★ 5
Convenient Accessibility
It's great to have a company card that my employees can have access to for office supplies and other purchases. Thank you Amazon 🙏
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Reviewed in the United States on May 13, 2026
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Verified Purchase
Bice
New York, US
★★★★★ 5
The Christmas movie no TV stations ever seem to show during the holidays
Since Amazon lumps the reviews for all the various releases of this movie together, I want to be clear that this review is for the single disc, 132 minute blu-ray version with the cover picture of smiling man made of bricks with the word "Brazil" flying out of the top of his head. For those who don't know the history of this movie - there are at least three different versions. It was originally released in Europe as a nearly two and half hour long film. The studio who financed it didn't like that version because it A. was too long, B. was too uncommercial and C. had a dark, depressing ending. The contract they had with Gilliam stipulated that the movie had to be less than 2 hours and 15 minutes, so it could have multiple prime-time showings in theaters. They suggested he cut the ending. Gilliam refused, so the studio took it upon themselves to create the "Love Conquers All" version, which chopped out almost an hour of footage - they only kept the parts that showed the main character Sam in a heroic light, anything that contributed to the Sam/Jill love story and anything that featured Robert DiNero. And, of course, the ending was changed to a happy ending by removing the final scene. Also, to make the plot easier to follow, they used some alternate takes, some deleted footage and hired voice actors to overdub dialog. Unsurprisingly, Gilliam didn't want that version released, so he finally edited the movie down to 2 hours and 12 minutes, kept the dark ending and made a few other minor changes and the studio was contractually obligated to release that version to theaters in the United States. It's this US version that appears on the blu-ray, with absolutely no additional features (not even the Gilliam commentary that's included on most other releases of the film). Annoyingly, they also added advertisements for other movies to the main menu screen. But I'm still happy to have this version, because it's the first time I've seen the "US edit" since originally seeing the film in a theater on the campus of Penn State back in my college days. I can't really write an unbiased review of the movie itself, because from that first viewing I became obsessed with both Brazil and Terry Gilliam's films in general. I bought all his movies on VHS as soon as they came out and eventually replaced them with DVDs. I bought the 3-DVD Criterion "Final Cut" version of Brazil back when it was an expensive new release. I was surprised that it included scenes I'd never seen before - I think it's based mostly on the European version, with some additional tweaks by Gilliam. It also included the "Love Conquers All" version of the movie and a ton of bonus features. Sadly though, it wasn't animorphic, so on my widescreen TV it put black letterboxing bars on all four sides, shrinking the picture down to about 60% of the screen. This blu-ray was exactly what I was looking for. While it's missing a few (non-essential) scenes, it's the version of the movie that I "grew up" with and is presented in full 16X9 animorphic widescreen. It's the best looking version I've seen since originally seeing it in the theater. For example, I never really noticed the makeup on Katherine Hellmond at the beginning of the movie to make her look older (pre-surgery), but it's clearly visible on the blu-ray. I've always felt bad for one actress during the explosion scene in the restaurant because it looks like she really does get hit by some of the flying debris - the blu-ray is maybe a little too clear there, because now I can tell it's just a dressed-up mannequin. As for the movie itself - it's one of those films you'll either love or hate. Its alternate-reality, retro-futuristic look makes it seem nearly as fresh and amazing today as it did when it first came out. And the background plot of a government bureaucracy turning a country into a surveillance state in response to a perceived terrorist threat - I know it was based on things happening in England at the time, but it's like Gilliam had a crystal ball and looked 30 years into the United States' future. The alternating between "reality" and dream sequences and the general Gilliam quirkiness will probably put a lot of people off, but it's what drew me to this movie in the first place. If you become fanatical about the movie like I am, you'll need both this blu-ray and the Criterion release. To fully experience the film you need to see every version (even the Love Conquers All version) because each one includes bits that aren't in any of the others. If you do decide to watch Brazil and find that you like it, give some of Gilliam's more recent movies a try, like The Imaginarium of Dr. Parnassis and The Zero Theorem. Really, if you like odd, out-of-the-mainstream movies that you'll be thinking about for days after you see them, you can't go wrong with pretty much any Terry Gilliam film.
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Reviewed in the United States on January 11, 2016
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Verified Purchase
Doug S.
Charlottesville, US
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
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Reviewed in the United States on May 3, 2026
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Tripp Moore
New York, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026

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