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flower seeds to grow indoors in winter

flower seeds to grow indoors in winter Late Winter Flower Seed Collection – Kids Seed Co

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flower seeds to grow indoors in winter Late Winter Flower Seed Collection – Kids Seed CoPlant flower seeds this winter! There are many flower varieties that can be sown in the garden in winter. Some varieties benefit from cold stratification, a period of cold moist conditions, and some varieties will produce early spring blooms after overwintering. We put together this collection of 9 of our favorite flower varieties that can be sown in your garden in winter. While all of these varieties will overwinter in your gardens, they can also be

Plant flower seeds this winter! There are many flower varieties that can be sown in the garden in winter. Some varieties benefit from cold-stratification, a period of cold moist conditions, and some varieties will produce early spring blooms after overwintering. 

We put together this collection of 9 of our favorite flower varieties that can be sown in your garden in winter. While all of these varieties will overwinter in your gardens, they can also be sown in early spring, several weeks before your last frost. 

Seed Varieties:

Wild Bergamot (Monarda fistulosa)

An herbaceous perennial plant native to much of North America with beautiful light purple blooms. Wild bergamot honey is prized for its' herby-sweet flavor and the flowers attract lots of beneficial insects to the garden. Native American used the plant as a medicinal remedy and generally infused the aromatic leaves in tea. (As always, consult your medical provider for advise on herbal remedies!) Wild bergamot spreads through underground rhizomes and it looks beautiful in mass plantings. We love wild bergamot as a cut-flower in arrangements. 

Origin: We collected the parent seed of our Wild Bergamot from wild plants on a trail near Watch Knob Mountain in Swannanoa, NC many years ago. 

(Approximately 50 seeds per packet)

Planting Instructions: Sow a few seeds in a 4 inch pot indoors in mid-winter, barely covering them with soil. Transplant outside in the spring or summer, 6-8 weeks after starting the seeds, spacing plants 12-18" apart in full sun to part shade. Seeds can also be sown directly in the garden 6-8 weeks before your last frost in spring or in the fall a few weeks after your first frost.

Milkweed (Asclepias tuberosa)

Perhaps the single most important thing home gardeners can do to support monarch butterfly populations is to plant perennial milkweed. This native heirloom plant provides food and habitat for monarch butterflies and the plant is an essential food source for monarch caterpillars. In summer, deep orange blooms look beautiful in the garden and provide a wonderful source of nectar for a range of beneficial insects.

Butterfly milkweed has smaller leaves than common or swamp milkweed and the flowers are a dark shade of orange. The plants generally grow to approximately 24" tall. Butterfly milkweed is a perennial plant and spreads through underground rhizomes as well as through scattered seeds. We grow our milkweed in border and peripheral areas of the garden where the plants have room to spread into a monarch nursery. 

NOTE: Sap is mildly toxic; avoid eye/skin contact and do not ingest.  

Origin: We harvested the parent seed of our milkweed from the Beaver Lake Bird Sanctuary in Asheville, NC. 

(Approximately 30 seeds per packet)

Planting Instructions: Seeds germinate best when COLD STRATIFIED. Simply place seeds on a damp paper towel in a plastic bag in the refrigerator for about 30 days before sowing seeds in the garden or starting in containers to transplant in spring. Seeds can also be sown in the garden in fall where cold stratification will occur naturally in winter. Sow seeds or transplant seedlings in full sun and keep well watered until established. Milkweed may not bloom in the first year but will perennialize and bloom in the second year and for years to come. 

Bachelor Button (Centaurea cyanus)

With amazing sky-blue color, bachelor buttons look stunning in mass plantings. They are easy-to-grow, drought tolerant and edible petals add a fun garnish to salads! Bachelor buttons appear in many European folk tales and men of olden days would frequently wear a bloom on their lapel. 

Origin: We collected the parent seed of the colorful bachelor button mix from two sources. First, from a wheat field in Hungary while visiting family there and second from the garden of a friend in Asheville, NC who has saved her seeds for over thirty years. The true blue blooms are of Hungarian origin and the other colors were carefully selected over the years in Asheville. 

(Approximately 100 seeds per packet)

Planting Instructions: sow a group of 3 seeds 1/4" deep every 8" in spring as soon as soil can be worked. Full sun. 24"-36" height. Seeds can also be sown in fall a few weeks after your first frost.

Cleome (Cleome hassleriana)

With big dramatic flowers in shades of pink, purple and white, cleome are a wonderful addition to the cut-flower garden. The plants generally grow to about 4-5 ft tall and they attract all sorts of pollinators, especially hummingbirds! Cleome make wonderfully fragrant cut flowers and the spiky seed pods add a unique look to the garden. Cleome like to grow in full sun but once they're established they need very little care.

Origin: The parent seed of our Cleome came from the Tuileries Garden, located between the Louvre and the Place de la Concorde in the 1st arrondissement of Paris, France. Many years ago we knew a gardener at Tuileries and she gave us Cleome seeds from their collection. 

(Approximately 50 seeds per packet)

Planting Instructions: Sow cleome seeds by scattering the seeds on prepared soil in full sun. The seeds germinate best with light. You can either sow the seeds in the fall and they'll emerge when conditions are right in spring, or,  you can sow seeds a few weeks before your last frost date in spring. Seeds can take 10-15 days to germinate. 

Nigella (Nigella damascena)

Nigella is an airy plant and lively blooms range in color from red, blue, violet and white. This early bloomer self sows easily. Nigella makes a great cut-flower and dried seed pods have a unique look in dried arrangements. Also known as Love-in-a-Mist, this hearty and easy-to-grow plant will become an instant favorite and garden mainstay. 

Origin: We were given the parent seed of our nigella by a friend who volunteers at community garden in Tokyo, Japan while we were on a trip to visit family there.

(Approximately 50 seeds per packet)

Planting Instructions: sow a group of 3 seeds every 8" by barely covering with soil a few weeks before your last frost in spring. Full sun. Thin to 1 every 8" when plants are 3" tall. Seeds can also be sown in fall a few weeks after your first frost.

Lupine (Lupinus polyphyllus)

Lupines are perennial flowers with huge, stately blooms. Mid-winter sown lupines might not bloom until their second year in cool climates (Zone 4-7) and in warm climates (Zone 7 & Up) fall planting generally produces blooms in early spring. Mostly Pink and Purple blooms. 

The wonderful book "Ms. Rumphius" by Barbara Cooney inspired us to grow lupines and the blooms are a reminder to work to add beauty to the world. 36"- 48" tall plants. 

Origin: The parent seed of our lupines we given to us by a dear friend who has a gorgeous farm near Eugene, Oregon. 

(Approximately 50 seeds per packet)

Planting Instructions: Sow 1 seed 1/8" deep every 12" in late fall or early winter in full sun. (May not bloom until year 2 in cooler climates)

Echinacea (Echinacea purpurea)

A gorgeous wildflower native to North America, echinacea is a popular perennial in many gardens and makes a wonderful cut-flower and attractor of pollinators. The plants have many herbal uses and the flowers grow on long stems to about 5 feet tall. The blooms of our echinacea variety are generally purple and range in hues from lighter to darker purple.

The genus name Echinacea comes from the Greek work for hedgehog, referring to the spiny seed heads of the flower. Native Americans used the plant extensively for a wide range of wellness applications for the antibiotic properties of the plant and immune boosting attributes. German physician Dr. Gerhard Madaus thoroughly researched the plant in the early 20th century and his work led to increased adoption of echinacea in naturopathic applications. 

Note: Echinacea is a perennial plant so it will grow anew from established roots every year. The plants generally don't bloom until their second year but will bloom each year after. 

Origin: The parent seed of our echinacea came from two sources, both from wildcrafted seeds. First, we save seeds from wild plants near the NC Arboretum in Bent Creek, NC and also from seeds we saved from wild plants near Cacapon State Park near Berkley Springs, WV. 

(Approximately 50 Seeds per packet)

Planting Instructions: Echinacea seeds benefit from cold-stratification, a period of cold, moist conditions. We recommend planting seeds either in the fall after your first frost or in late winter several weeks before your last frost. Seeds can be manually cold stratified too by placing seeds on a damp paper towel in a plastic bag. Keep the bag in the refrigerator for at least 30 days before planting. Sow seeds 1/4" deep in full sun to part shade in well drained soil. Keep seeds moist until they germinate.

Flanders Poppi ( Papaveri rhoeas )

In Flanders fields the poppies blow
Between the crosses, row on row,
    That mark our place; and in the sky
    The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
    Loved and were loved, and now we lie,
        In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
    The torch; be yours to hold it high.
    If ye break faith with us who die
We shall not sleep, though poppies grow
        In Flanders fields
The poem above, "In Flanders Fields" was written by Canadian Physician Lieutenant-Colonel John McCrae. He was inspired to write it on May 3, 1915, after presiding over the funeral of friend and fellow soldier Lieutenant Alexis Helmer, who died in the second battle of Ypres. The Flanders poppy grew in the most ravaged battle fields of the First World War in stark contrast to the devastation that surrounded them. 
The beautiful red blooms have become a symbol of remembrance for those who have died in the service of their country and in our garden here in zone 7b we typically have blooms by Memorial Day. 
Origin: We collected the parent seed of our Flanders poppies in France. On a trip to visit Mama's sister and her family in Meximieux, a suburb of Lyon, we saved seeds that were growing at the edge of a wheat field. 
(Approximately 200 seeds per packet)
Planting Instructions: In most climates, except the coldest zones, seeds are best sown onto prepared soil by scattering in the fall after the first frost. They can also be sown in the same way in late winter about 4 weeks before the last frost. Sow in full sun. 

PoppI (Papaveri spp.)

Poppies are such a joyful bloom to have in the garden and they are some of the first flowers to bloom in early spring. Our mix has vibrant blooms that are red, pink, purple and white and some interesting combinations have developed in our garden over the years. Plants grow about 4-6ft tall. 


Origin: We collected the parent seed of this poppi mix on the farm of our cousin in Hungary many years ago.

(Approximately 200 seeds per packet)

Planting Instructions: In most climates, except the coldest zones, seeds are best sown onto prepared soil by scattering in the fall after the first frost. They can also be sown in the same way in late winter about 4 weeks before the last frost. Sow in full sun. 

 We hope you enjoy growing these flowers! 

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4.2 ★★★★★
Based on 16 reviews
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A
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Anonymous B
Cuba, US
★★★★★ 5
Rich
Format: Paperback
A wonderful book that illuminates the reality of the God of Israel compared to the ANE deities.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 28, 2026
F
Verified Purchase
F. Gwin
Fort Morgan, US
★★★★★ 5
Excellent. An invaluable resource!
Format: Paperback
Recently I have been reading a lot of books that have told me that the Bible's story of Adam and Eve plus the Exodus etc. are all myths that are extremely similar. Therefore, we should rethink the Bible and change our understanding of it to a more modern worldview that incorporates this knowledge and denies any sort of originality in the biblical account. John Oswalt thinks differently. He thinks that the Genesis story of origins is not some random piece of Semitic or Mesopotamian literature, but that is really unique revelation from God (and is prepared to back that statement up!). The book is divided into two sections: The Bible and Myth The Bible and History Oswalt spends the first few chapters defining the world of the Old Testament and trying to find a definition for the word myth. He comes to the conclusion that a myth "the reflection of a certain way of thinking about the world. To be sure, because of the way in which it thinks, the fantastic is often found in myth. But it is not the presence of the fantastic that makes a piece of literature myth; rather, it is the presence of the mythic worldview." This worldview, he asserts, is based off of what he calls "continuity," which he describes as "when the human, natural, and divine realms are expressed and actualized [together]." The worldview that assumes continuity is based on the here and now, and is very panentheistic. Primordial time is a key factor and the gods are dependent on the humans. This is not so with the biblical worldview. The worldview of the Bible assumes transcendence - an independent God meeting with people on his own terms. He then compares and contrasts these views and shows the real differences between stories like Enimu Elish and Genesis 1. He doesn't deny similarities in the narratives, but he shows the differences in the worldviews. He then moves on to history. Just like the word "myth," Oswalt has to define history, because how civilizations have viewed history in the past has never been the same as Western civilization views history. Then he asks whether or not the Bible is history, and whether or not it matters. He makes several great points here, one of which is that ancient annuals and chronicles never recorded the defeats of kings, yet we find Israel's holy book littered with their failures and mess ups. This is a serious deal when looking at whether or not the Bible is history, because in the ancient way of thinking this surely stands out. He then looks at other questions, like "Are Biblical Faith and Biblical History Inseparable?" and responds to some critics (including Bultmann!). He then looks into the origins of the Israelites' worldview by means of authorship. Is the Bible a late text that was updated from an older, polytheistic one? "No!" says Oswalt. He deals with critiques here as well before moving on to a brilliant conclusion where he sums up the book and gives us a view of how modernism and rationalism are taking us back to the worldview based on continuity. Overall, this was a brilliant book and I wish I had read it sooner!!! It seems like so many authors today are trying to convince us that the Bible has so much in common with the other stories of origin out of an anti-biblical or liberal worldview (like ). However, under close scrutiny these criticisms do not stand up. I thank John for this book, and I will be recommending it to countless others!
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Reviewed in the United States on August 11, 2012
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Cari Ring
Alexandria, US
★★★★★ 4
Excellent analysis, decent theorizing
Format: Kindle
While the analysis and argumentation presented in The Bible among the Myths is outstanding, the early chapters of the book suffer from a few problems. First - and this is mainly a complaint given my own preferences - the style of writing in chapters 1-4 differs noticeably from that of the rest of the book. While the introduction and chapters 5-10 reflect a learned, academic style, the first four chapters are written more casually, without quite the same rigor that characterizes most of Oswalt's writing. I am not entirely sure of the reason for this difference, and I wouldn't mention it if it were not for the second issue. These same chapters reflect their writing style in their content, so much so that I nearly gave up on the book after the first three chapters. While I appreciate the author's need to provide background information, definitions, and an overarching theoretical framework, his methodology as laid out in the text is much less rigorous than I would prefer to see. The first few chapters are much less heavily annotated, with fewer scholarly references and a great number of offhanded summaries. He labels his approach to the definition of "myth" as phenomenological, that is, examining the common characteristics of a variety of myths in order to summarize what is essential about them. However, his listings of these common characteristics are vague and poorly related to actual bodies of mythology that survive to the present day. Examples, when cited, are drawn almost exclusively from the Greek and Egyptian traditions. For the understanding of Israelite culture as it relates to its neighbors, this is certainly a fair beginning; for the definition of myth, which is a worldwide phenomenon transcending culture and geography, it seems very far from adequate. As someone who has a thorough knowledge of Christianity and Greco-Roman mythology and at least a nodding acquaintance with Egyptian, Norse/Germanic, and Celtic mythologies, I can at least begin to fill in some of the gaps in Oswalt's analysis. His generalizations, although sweeping, are not particularly problematic, but I am concerned that he embarks upon such a grand theoretical project without doing at least a little more specific analysis of various individual mythologies to demonstrate his points. More problematic in my opinion is that he groups all these various mythologies into a single worldview. Any number of scholars have tried to broaden the interpretations of myths to demonstrate that all cultures revert to the same basic narrative (The Golden Bough being the most famous example, and The Hero with a Thousand Faces being a more recent one); none of them has succeeded particularly well from a scholarly perspective. Despite this early weakness, Oswalt's work undergoes a dramatic improvement starting in chapter 5. His basic point - that the essential view of reality in Israel is demonstrably opposed to the view held by any of its neighbors - can be made without resorting to the sweeping claims of the earlier chapters, and he does an excellent job of presenting and analyzing the evidence for his view. His terminology (of "continuity" and "transcendence"), while not quite adequate to present an overarching definition and theory of what constitutes a myth, is certainly well-suited to his specific analysis. In particular, the analysis of the supposed parallels between the Enuma Elish and Genesis 1 is outstandingly done. After presenting a table with the usual outline of the Enuma Elish against the outline of Genesis 1, he simply proceeds to list the major plot events and how much time it takes to relate each one in the text itself. From this alone, it is readily apparent that the prevailing "outline" has intentionally been generated to encourage comparison to the Genesis account of creation. Such spurious efforts - minimizing the events of over 500 lines of poetry, while selecting 5 which bear questionable similarity to a verse in Genesis - are not honest scholarship, and kudos to Oswalt for pointing this out. I agree with a previous reviewer that it would have been helpful to append the text of the Enuma Elish in parallel with Genesis for readers to compare for themselves would have been a nice touch, but Oswalt's claims are not so elevated that they could not be disproven by direct appeal to the text. One final note. A previous reviewer noted that many of the authors Oswalt discusses wrote between the 60's and 80's, and complained that this made the book seem "dated." I am a graduate student in classics, and can assure those who are concerned that in any field dealing with antiquity, "dated" sources are often some of the most important. Unlike quantum physics, which has less than a century of history, the classic writings of antiquity and the history of those eras has been studied for over two millennia. Meaningful research begins, in fact, with the scholars of Alexandria who worked around 300 BCE; often the work they have done is not duplicated anywhere else. In the field of Ancient Near Eastern studies and Biblical studies in particular, there is likewise a long history of scholarly and interpretive effort. Sources less than a hundred years old are not dated - in the grand scheme of things, they are actually quite recent. It is also worth noting that many of the very recent books, which the reviewer presumably has in mind, are written for a popular audience and would not be considered truly scholarly efforts. Some are written by scholars, but those specific books are unlikely to come up in a serious academic analysis of the subject. The views entertained by those books, however, are very clearly addressed in The Bible among the Myths - largely because the scholarly arguments they were based on are much older than most people assume. Just because Oswalt does not mention names of popular authors does not mean that his argument fails to cover all its bases. All in all, the book is well written and persuasive. The earlier chapters might be found in any popular book on the subject, but the later chapters are more clearly of a scholarly bent, with corresponding vocabulary; readers who are looking for more of a lay approach to the issues may want to look for another author. However, the analysis of parallels between the Old Testament and the surviving Ancient Near Eastern literature is well-presented and balanced, and Oswalt's treatment of other scholars in the field seems to be fair. (I have not read any of their works myself, but Oswalt presents both strengths and weaknesses when considering whether an author's position is sufficiently explanatory and praises some aspects of works he disagrees with. He also is willing to point out when he agrees with some of the author's data, but draws a different conclusion. All of this strikes me as favorable.) The later chapters are thoroughly referenced in endnotes and draw from a variety of sources. Chapters 1-4: 3.5 stars Chapters 5-10: 5 stars Overall: 4.5 stars
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Reviewed in the United States on January 2, 2014
K
Verified Purchase
KC
New York, US
★★★★★ 5
Excellent resource for defending why Christianity is not rooted in mythology
Format: Paperback
I bought this book as required reading for an introductory Old Testament class I was taking in seminary. Sad to say, the textbook mostly collects dust. To this day, I use Oswalt's book for reference and continue to recommend the reading of it to others. I do not believe one can fully defend the Christian faith without first knowing how firmly convinced some scholars and historians are that Christianity is rooted in mythology. I will not lie. If you read about some of these myths in a silo, you may find yourself leaning toward such false beliefs. When you take a step back and consider the time in history in which the Old Testament was written, the picture becomes more clear. In the introduction to the Old Testament class, we also read Ancient Near Eastern Thought and the Old Testament by John H. Walton. Again, the text book is mostly collecting dust, I also repeatedly use this one as a reference. I would strongly recommend reading both books. The second is more academic in style than the first, but it helps lend further context.
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Reviewed in the United States on March 29, 2015
P
Verified Purchase
P. Hayes
Carnegie, US
★★★★★ 5
An inspiring take on the story of the Bible and reality.
Format: Kindle
This was an absolute pleasure to read. Oswalt utilizes his knowledge of ancient near east culture and religion to thorough debunk any effort to one might make to pretend that the Bible is of a similar mythology.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 7, 2025

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