SKU: 19422934916
aglaonema silver bay water

aglaonema silver bay water Aglaonema 'Silver Bay'

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Description

aglaonema silver bay water Aglaonema 'Silver Bay'Aglaonema 'Silver Bay' Broad silver grey leaf centres and deep green margins make Aglaonema 'Silver Bay' one of the fuller looking Chinese evergreens. Mature plants form a rounded clump with wide leaves, strong side growth and enough weight to suit a stable pot. As it matures, the crown needs space to spread and a container that will not tip as the foliage gains size. It is a better fit for a plant stand, low table or floor pot than a narrow shelf.

Aglaonema 'Silver Bay'

Broad silver-grey leaf centres and deep green margins make Aglaonema 'Silver Bay' one of the fuller-looking Chinese evergreens. Mature plants form a rounded clump with wide leaves, strong side growth and enough weight to suit a stable pot.

As it matures, the crown needs space to spread and a container that will not tip as the foliage gains size. It is a better fit for a plant stand, low table or floor pot than a narrow shelf.

Broad-crown traits

  • Growth habit: Broad clumping Aglaonema with side growth from the base.
  • Leaf size: Large lance-shaped leaves that become wider on mature plants.
  • Colour pattern: Silver-grey centres with green margins and mixed green-grey edge markings.
  • Mature shape: Full rounded crown suited to floor pots, plant stands and wider display spaces.

Aglaonema 'Silver Bay' mature form

Aglaonema 'Silver Bay' was released through the University of Florida foliage plant breeding programme in 1992. It was selected for broad silver-green foliage, strong branching from the base and a full indoor habit.

The genus Aglaonema is native from north-eastern India to Papua New Guinea and belongs to Araceae. Older stems of this cultivar can become cane-like, while new side shoots keep the plant dense from below.

Care needs for a larger crown

  • Light: Grow in bright indirect to medium light. Shield broad leaves from direct midday sun.
  • Watering: Water when the upper substrate has dried. Check deeper in larger pots because the centre can stay moist longer.
  • Substrate: Use a loose indoor aroid mix with bark, perlite or pumice for drainage and root oxygen.
  • Pot choice: Use a stable pot with drainage holes as the crown gains width and weight.
  • Temperature: Keep above 18 °C. Warm roots help new leaves reach normal size instead of emerging smaller or stalling.
  • Humidity: Average indoor humidity is usually tolerated; steady moderate humidity reduces stuck or torn broad new leaves.
  • Feeding: Feed lightly but regularly during active growth, especially on established plants with several crowns.
  • Repotting: Repot when roots crowd the container or the plant dries too quickly after watering.
  • Pruning: Remove older lower leaves and shorten bare canes above nodes so new shoots can form lower on the stem.
  • Propagation: Divide rooted side shoots or root older stem cuttings with visible nodes in warm conditions.

Crown and leaf responses

  • Yellow lower leaves: Check drainage and deeper pot moisture, especially when rooms are cool.
  • Brown scorched patches: Move the plant away from direct sun, hot glass or intense grow lights.
  • Long bare stems: Cut older canes above nodes and root healthy sections if the plant has lost lower leaves.
  • Leaf spotting: Improve airflow around dense crowns and keep water from collecting in leaf bases.

Handling and household safety

Aglaonema 'Silver Bay' contains irritating calcium oxalate crystals. Position it where pets and small children cannot eat the leaves or stems. If sap contacts the skin during pruning, wash the area with water.

Aglaonema 'Silver Bay' works best where its broad silver-green crown has enough space to widen instead of being squeezed between smaller plants.

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SKU: 19422934916

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Bobo
Pawtucket, US
★★★★★ 3
Very interesting reading.
Very interesting reading. He gives a very different picture (and more accurate picture, I'm sure) of the Indians in North and South Americas than what we've been told in our history books. They could very well be the lost tribes of Israel.
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Reviewed in the United States on April 23, 2021
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Sister Kana
Alexandria, US
★★★★★ 5
Five Stars
great book
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Reviewed in the United States on May 8, 2016
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J
Birmingham, US
★★★★★ 2
No page numbers
Format: Paperback
This book doesn't have ANY page numbers, NONE
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Reviewed in the United States on March 3, 2025
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Divan
Phoenix, US
★★★★★ 5
This book is a 'Fraud'... perhaps not
Format: Paperback
This is my first Review ever on Amazon and I am doing this for the love of Hafiz. I am originally of Persian origin and a life long lover of Hafiz... Have visited his tomb and the beautiful city of Shiraz. For people who are looking for a perfect translation, let me tell you that this is not it, not even close. To translate Hafiz, is to try and reproduce Shakespeare in another language and have it somehow come out with the same texture for the modern age (perhaps impossible). So reading Hafiz in Farsi requires years and years of cultural, intellectual and spiritual studies. To me he was an enlightened artist that had walked the esoteric Sufi path to full and authentic comprehension/liberation, in the process one can sense his love for existence and connection to the source (his own being). It feels like he had reached a place where like any great artist he had the necessary tools developed physically/mentally/intellectually to be able to translate his mystical experiences fluently and effortlessly into an external art form (in his case lyric poetry and who knows what else). I am explaining my understanding of him/her to make a point here. Mr. Ladinsky has somehow connected to the essence of Hafiz. In order to comprehend Hafiz in another language (and a whole different time/setting), one has to somehow try the impossible and reproduce the texture by trying to remove vague cultural, intellectual and spiritual references with ideas and thoughts that resonate with people today. Ladinsky has tried and somehow succeeded with giving us a glimpse (just a glimpse) of Hafiz and his loving/playful spirit. In my opinion, this book is mainly an intro to Hafiz, but even an intro is enough to open the door for those that like to venture deeper. In Iran Hafiz (or Hafez) and his main and perhaps only book 'Divan' is read like an Oracle (like the I Ching) - with intention and perhaps a lingering question one opens up to a page to receive his guidance. Well this book, carries the same fire if you're able to get past your ideas of right and wrong and just tune into it. For many Iranians (lots of my own friends), this book brings up a lot of challenges and I can understand that because it's so different from the original, but yet if you are able to realize that his poetry was from over 600 years ago, from a time when the culture was so different and language was a lot more evolved, than maybe you can put into context what this book is actually doing. And yes, language was more evolved, just look at the older writings by poets and writers and it should be obvious (that's a whole other subject). Mr. Ladinsky, has tried his best and this seems like the only book so far that allows one to get a glimpse of Hafiz in the english language, but he also does fall short in many aspects obviously (There probably isn't anyone that could perfectly translate Hafiz, even in Iran people argue about the deeper meanings of most of his writings). Hafiz's words are from another dimension and brought to life in Farsi, so to truly feel Hafiz, one has to study Farsi.
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Reviewed in the United States on July 27, 2022
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David Bankston
West Palm Beach, US
★★★★★ 5
Music of the Spheres
Format: Paperback
For me, Like many others who have read Dan Ladinsky's unique versions of Hafiz, I find them an ever fresh fountain. These poems hold the essence of experiential spirituality, the possibility of unlimited creativity, the ocean of love, the sweet agony of longing, and the unbearable joy of ectsasy. It is difficult to remember that these miraculous jewels sprang from a life (Hafiz's)that was not without difficulty. The images here are startling and often hilarious and irreverent. But I think that most important Hafiz expands our ability to imagine and understand God. I grew up as a fundamentalist Christian and it never occurred to me that God could be as tender as this, "When the violin can forgive the past It starts singing. . . . You will become such a drunk laughing nuisance That God will then lean down And start combing you into His hair." Here is Hafiz's breathtaking yet practical image of unconditional love, "Even after all this time The sun never says to the earth "You owe me." Look what happens with a love like that, It lights the whole sky." In GREETING GOD Hafiz exquisitely describes spiritual longing this way, ". . .Tonight there is a jeweled falcon singing In a blessed pain using the tongue of Hafiz." I have given more than a few copies of THE SUBJECT TONIGHT IS LOVE as gifts. Now I'll give the gift of THE GIFT. I am a singer and a songwriter and I hear songs in these poems. Thank you Dan Ladinsky! You are like the "jeweled falcon" singing with "the tongue of Hafiz." Many blessings David Bankston, DMA
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Reviewed in the United States on November 3, 2000

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